Blender's Scores

  • Music
For 1,854 reviews, this publication has graded:
  • 39% higher than the average critic
  • 3% same as the average critic
  • 58% lower than the average critic
On average, this publication grades 7.9 points lower than other critics. (0-100 point scale)
Average Music review score: 65
Highest review score: 100 Together Through Life
Lowest review score: 10 Folker
Score distribution:
1854 music reviews
    • 78 Metascore
    • 80 Critic Score
    Elbow's lifeblood is equal parts rain and alcohol. [Mar 2006, p.111]
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    • 82 Metascore
    • 100 Critic Score
    What elevates the Monkeys into a class of their own is Turner. [Apr 2006, p.113]
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    • 80 Metascore
    • 60 Critic Score
    They've... picked up the tempo, sweetened the tunes and upgraded the rhythm section. [Mar 2006, p.109]
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    • 72 Metascore
    • 70 Critic Score
    [An] assured and surprising record. [Mar 2006, p.110]
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    • 88 Metascore
    • 80 Critic Score
    Bejar's most accessible album yet. [Apr 2006, p.111]
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    • 56 Metascore
    • 50 Critic Score
    Even the strongest songs... are hobbled by sickly vocals and Mick Jones's pallid, needle-thin production. [Mar 2006, p.109]
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    • 71 Metascore
    • 50 Critic Score
    What's missing so far... is the offbeat charisma that would make the Subways into something more than a high-school cover band that got lucky. [Apr 2006, p.118]
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    • 67 Metascore
    • 60 Critic Score
    The ballads, which are copious, are dull. [Mar 2006, p.115]
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    • 67 Metascore
    • 70 Critic Score
    They're old-fashioned ballads, all very tasteful, but few hooks poke through the froth. [Jun 2006, p.139]
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    • 74 Metascore
    • 60 Critic Score
    Without goth glamour or Fall Out Boy self-flagellation, Voices gets mired in a modern-rock middle. [Mar 2006, p.113]
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    • 78 Metascore
    • 60 Critic Score
    Sits squarely in the middle of B&S's comfort zone: never bad but rarely inspiring. [Mar 2006, p.109]
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    • 58 Metascore
    • 80 Critic Score
    Submit to these tongue-in-cheek disco-rock readymades and it's as if you're hearing irony and an ass-kicking backbeat for the very first time. [Mar 2006, p.112]
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    • 78 Metascore
    • 60 Critic Score
    Orton still oversteps the foul line that separates affectingly vulnerable from irritatingly feeble, but this is a step twards something more distinctive. [Mar 2006, p.114]
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    • 76 Metascore
    • 60 Critic Score
    There are two even matched KT Tunstalls on her debut album: One borrows from Chris Martin's bag of shopworn metaphors... The other one is more unsettling and more intriguing. [Apr 2006, p.118]
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    • 64 Metascore
    • 70 Critic Score
    Though lighter on star power than its predecessor, this compilation... still packs weird extraterrestrial punch. [Apr 2006, p.118]
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    • 79 Metascore
    • 60 Critic Score
    Not much happens, which seems to be the point. [Jan/Feb 2006, p.96]
    • Blender
    • 44 Metascore
    • 20 Critic Score
    A low-rent version of the Streets without Mike Skinner's wit, they're just a couple of palookas mouthing off in the pub. [Nov 2005, p.131]
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    • 80 Metascore
    • 70 Critic Score
    It partly works. [Mar 2006, p.110]
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    • 71 Metascore
    • 60 Critic Score
    The band occasionally lapse into easy irony and cheap spite. [Mar 2006, p.110]
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    • 63 Metascore
    • 60 Critic Score
    These amply melodic songs offer a style manual of orchestral pop and twinkly genre touches. [Mar 2006, p.112]
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    • 78 Metascore
    • 80 Critic Score
    The record has the relationship to "genuine" roots music that its titular ratty heirloom implies--it's a perfect fake, dyed to match the sensibility of a skeptic who won't give up. [Mar 2006, p.108]
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    • 71 Metascore
    • 60 Critic Score
    As double albums go, it's a hell of an EP. [Mar 2006, p.114]
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    • 66 Metascore
    • 40 Critic Score
    Deadening, obnoxious stuff. [Mar 2006, p.115]
    • Blender
    • 55 Metascore
    • 40 Critic Score
    New touches only further dilute P.O.D.'s already watered-down sound. [Jan/Feb 2006, p.96]
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    • 59 Metascore
    • 40 Critic Score
    A band that traffics in momentum can't afford to take their foot off the gas as often as Yellowcard does. [Mar 2006, p.112]
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    • 67 Metascore
    • 60 Critic Score
    No, it ain't rocket science. But when they're headlining arenas, it's gonna look fairly brilliant. [Jan/Feb 2006, p.98]
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    • 69 Metascore
    • 70 Critic Score
    Earth is the sound of a band coming to that inevitable realization: five patrician perfectionists who've resolved to sound sloppy, even (or especially) at the risk of fucking up. [Jan/Feb 2006, p.98]
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    • 76 Metascore
    • 70 Critic Score
    Her ardent love songs ultimately come off not as love songs but standard ache-and-pain Mary tracks--making this album not quite the breakthrough it might have been. [Mar 2006, p.109]
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    • 52 Metascore
    • 50 Critic Score
    The production feels lethargic and unmelodic... and Foxx's lyrics are all corny come-ons and cheesy sentimentalisms. [Mar 2006, p.113]
    • Blender
    • 64 Metascore
    • 60 Critic Score
    Less scary but more melodic, Korn guns for hits, not street cred. [Mar 2006, p.113]
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