Blender's Scores

  • Music
For 1,854 reviews, this publication has graded:
  • 39% higher than the average critic
  • 3% same as the average critic
  • 58% lower than the average critic
On average, this publication grades 7.9 points lower than other critics. (0-100 point scale)
Average Music review score: 65
Highest review score: 100 Together Through Life
Lowest review score: 10 Folker
Score distribution:
1854 music reviews
    • 79 Metascore
    • 50 Critic Score
    The band replicates the surface effect of Otis Redding ballads, New Orleans jams and Motown pop-soul down to the last tambourine rattle, but their material rarely goes deeper than nostalgic genre exercises--which means it never satisfies like the real thing.
    • 61 Metascore
    • 50 Critic Score
    Fink's pretty, dusky voice moves like time-lapse clouds over earthy beats that build to cymbal-crash storms. [Sep 2005, p.133]
    • Blender
    • 62 Metascore
    • 50 Critic Score
    A retread of a retread. [Nov 2006, p.148]
    • Blender
    • 75 Metascore
    • 50 Critic Score
    The results are either stiffly egalitarian... or stripped of personality altogether. [Jun 2006, p.143]
    • Blender
    • 65 Metascore
    • 50 Critic Score
    There are two vastly different Mellencamps. One is a flag-waver, singing simplistic anthems like "Our Country." The other, overshadowed Mellencamp is quieter and wiser. [Mar 2007, p.136]
    • Blender
    • 75 Metascore
    • 50 Critic Score
    By now he's decided he'd rather be Bob Dylan--recent Dylan, that is, devoted to phlegm-clogged blues-codger grumbles about how he's ready for his pine box. Producer T Bone Burnett proves a willing accomplice. [Aug 2008, p.88]
    • Blender
    • 74 Metascore
    • 50 Critic Score
    Song after song is undermined by too-precious gestures, and the occasional bursts of speed and volume can't mask Grandaddy's exhaustion. [Jun 2006, p.137]
    • Blender
    • 67 Metascore
    • 50 Critic Score
    Her subject matter is goofier, her flow is dumbed down and her beats are staler.
    • 63 Metascore
    • 50 Critic Score
    He lacks [Daft Punk and Justice's] wit or personality, and the album turns into a sucession of flashy vocal cameos and samples. [Apr 2008, p.81]
    • 58 Metascore
    • 50 Critic Score
    On their debut, this trio of fashionably dour West London lads crafts wildly overwrought goth-pop weepers with choruses that would make excellent Robert Smith High School yearbook inscriptions.
    • 57 Metascore
    • 50 Critic Score
    He tries to atone on the bluesey and somber 'Cadillac on 22's Part 2,' but--like much of this album--the sequel is a downgrade compared to its wrenching and confessional original. [Aug 2008, p.82]
    • Blender
    • 67 Metascore
    • 50 Critic Score
    These dozen R&B songs boast all the verve and sex appeal of a busines plan. [Apr 2009, p.61]
    • Blender
    • 66 Metascore
    • 50 Critic Score
    The gimmick runs out of novelty long before this third album is done. Even 31 minutes of show-off kiddie theater is too much.
    • 71 Metascore
    • 50 Critic Score
    The guitar rock here is loud, taut, buoyant--but stands little chance of getting inside your head.
    • 58 Metascore
    • 50 Critic Score
    On album three, he tests out heartbreak, and his emotional wiring doesn’t cooperate.
    • 72 Metascore
    • 50 Critic Score
    Overall, the tracks range from overserious and plodding to cloying and jumpy.
    • 65 Metascore
    • 50 Critic Score
    The arrangements and singer-guitarist Romeo Stodart's delivery both veer toward cloying. The band also seems to have forgotten the art of brevity, resulting in too many songs that drag on past the five minute mark. [August 2007, p.115]
    • Blender
    • 73 Metascore
    • 50 Critic Score
    Assured but tame. [Nov 2006, p.139]
    • Blender
    • 67 Metascore
    • 50 Critic Score
    Too often, though, Pebble is like a falsely vintage digital photo with specks, grain and worn edges Photoshopped in--it’s convincing on the surface but crumbles under close inspection.
    • 57 Metascore
    • 50 Critic Score
    Feels desultory and numb, verging on autistic. [Apr 2005, p.116]
    • Blender
    • 53 Metascore
    • 50 Critic Score
    Mostly plays it safe. [Nov 2005, p.140]
    • Blender
    • 57 Metascore
    • 50 Critic Score
    A few fast, punky songs suit her pout, but more than anything, Hilton makes celebrity sound boring.
    • 60 Metascore
    • 50 Critic Score
    Pondering his parents divorce or describing intricate and delicate sex acts, Mraz's tasty tenor remains a modestly classy pleasure. But he's lost crucial cool. [June 2008, p.75]
    • 61 Metascore
    • 50 Critic Score
    T’nT use gnarled-up keyboard sounds and mix tricks the way third-tier punk bands use screaming and feedback--to disguise the lack of something to say.
    • 61 Metascore
    • 50 Critic Score
    It's the sound of a group treading water. [Jul 2007, p.110]
    • Blender
    • 72 Metascore
    • 50 Critic Score
    Every white soul traditionalist from Hall & Oates to Duffy demands catchy, impactful songs, yet that’s where Thicke is thinnest.
    • 61 Metascore
    • 50 Critic Score
    Matt's solo joints continue to advance his kooky, obscurantist aesthetic, though they miss the distracted smolder of his comely foil. [Sep 2006, p.140]
    • Blender
    • 71 Metascore
    • 50 Critic Score
    What's missing so far... is the offbeat charisma that would make the Subways into something more than a high-school cover band that got lucky. [Apr 2006, p.118]
    • Blender
    • 62 Metascore
    • 50 Critic Score
    A strained, washed-out, sluggish record. [Oct 2004, p.129]
    • Blender
    • 77 Metascore
    • 50 Critic Score
    What's most impressive is that music of this caliber got left off their albums. [#13, p.100]
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