Blender's Scores

  • Music
For 1,854 reviews, this publication has graded:
  • 39% higher than the average critic
  • 3% same as the average critic
  • 58% lower than the average critic
On average, this publication grades 7.9 points lower than other critics. (0-100 point scale)
Average Music review score: 65
Highest review score: 100 Together Through Life
Lowest review score: 10 Folker
Score distribution:
1854 music reviews
    • 63 Metascore
    • 60 Critic Score
    Beautiful but strangely unhinged. [Jul 2006, p.100]
    • Blender
    • 69 Metascore
    • 60 Critic Score
    There are no future standards, but no sugary returns to childhood, either. [May 2004, p.124]
    • Blender
    • 78 Metascore
    • 60 Critic Score
    The only emotion here is the hothouse loneliness of an overintellectualized mind. [Nov 2006, p.154]
    • Blender
    • 73 Metascore
    • 60 Critic Score
    Feels like an episode of her growing-pains TV show Moesha. [Aug 2004, p.130]
    • Blender
    • 58 Metascore
    • 60 Critic Score
    Impressive at times... The problem isn't style--it's substance. Mraz's songwriting chops leave plenty to be desired. [Aug 2005, p.114]
    • Blender
    • 69 Metascore
    • 60 Critic Score
    Even at its weepiest, his music, thankfully, stays vivacious. [Apr 2006, p.116]
    • Blender
    • 60 Metascore
    • 60 Critic Score
    That's both the best and the worst thing about this album: The music is much more eloquent than the lyrics. [May 2003, p.112]
    • Blender
    • 80 Metascore
    • 60 Critic Score
    A thrilling, frustrating souvenir of a band whirling out of control. [Sep 2004, p.130]
    • Blender
    • 61 Metascore
    • 60 Critic Score
    A rather polite album... but it's also comprehensively gorgeous. [#27, p.138]
    • Blender
    • 52 Metascore
    • 60 Critic Score
    In striving for Zen-like purity, the songs often end up eerily blank. [Jul 2005, p.122]
    • Blender
    • 77 Metascore
    • 60 Critic Score
    The surprise is that the realist rage of material they had barely thought about in years feels so right in the age of Dubya. [#23, p.106]
    • Blender
    • 76 Metascore
    • 60 Critic Score
    What makes this album slightly dry is its gorgeous conservatism. [Apr 2005, p.118]
    • Blender
    • 64 Metascore
    • 60 Critic Score
    Those in search of a gloriously moronic keg-party soundtrack will wet themselves with pleasure. [Apr/May 2002, p.112]
    • Blender
    • 57 Metascore
    • 60 Critic Score
    As hipsters, the Yorkshire quartet are still total non-starters, but [North] sees producer Brendan O'Brien honing their gonzo essence to more sizeable effect. [Nov 2004, p.138]
    • Blender
    • 58 Metascore
    • 60 Critic Score
    The mellow rethink helps Cook get over his sweaty ’90s heyday, and his buddies sound equally liberated.
    • 58 Metascore
    • 60 Critic Score
    Often, it's too much of a good thing. [Sep 2005, p.137]
    • Blender
    • 60 Metascore
    • 60 Critic Score
    Reborn, the track leads off the sardonic sextet’s fifth album of apocalyptic buffoonery shot through with metal, new wave and disco, all of it hilarious, none of it a joke.
    • 61 Metascore
    • 60 Critic Score
    Bounce may sound flat in a few years, but by then its job--to see another million people, and rock them all--will be done. [#11, p.128]
    • Blender
    • 80 Metascore
    • 60 Critic Score
    There are some surprising misfires here... but also some unexpected treats. [Dec 2003, p.147]
    • Blender
    • 64 Metascore
    • 60 Critic Score
    Less scary but more melodic, Korn guns for hits, not street cred. [Mar 2006, p.113]
    • Blender
    • 63 Metascore
    • 60 Critic Score
    Mya gets lost on Moodring. [#18, p.128]
    • Blender
    • 66 Metascore
    • 60 Critic Score
    The pulse underscoring the album keeps it hopping when the songs meander. [Nov 2004, p.142]
    • Blender
    • 71 Metascore
    • 60 Critic Score
    The band occasionally lapse into easy irony and cheap spite. [Mar 2006, p.110]
    • Blender
    • 84 Metascore
    • 60 Critic Score
    Sensitivity in excess. [#11, p.142]
    • Blender
    • 66 Metascore
    • 60 Critic Score
    Their grooves can sometimes roll on as if unattended -- which is fine for living-room techno, but not for the pop songs they're trying to emulate. [Jun/Jul 2001, p.114]
    • Blender
    • 68 Metascore
    • 60 Critic Score
    The beat-programming is crystalline, the feeling is frozen, the soul is northern if it's there at all. [Sep 2005, p.136]
    • Blender
    • 59 Metascore
    • 60 Critic Score
    Successful imitation requires a kind of talent, too. [#9, p.156]
    • Blender
    • 67 Metascore
    • 60 Critic Score
    Unexpectedly clean-cut... the time-signature shifts and feedback swirls that earned them minor adulation are sidelined in favor of pushy, arena-sized choruses. [Mar 2005, p.136]
    • Blender
    • 71 Metascore
    • 60 Critic Score
    These songs are pleasant, stripped-down and also a little limp. [Oct 2003, p.124]
    • Blender
    • 82 Metascore
    • 60 Critic Score
    They've all but abandoned 4/4 grooves, discarded bass as an inefficient distraction and fractured their beats into splintery beatlets that detonate in flurries. [Jun/Jul 2001, p.105]
    • Blender