Billboard's Scores

  • Music
For 1,720 reviews, this publication has graded:
  • 71% higher than the average critic
  • 2% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 The Boxing Mirror
Lowest review score: 10 Hefty Fine
Score distribution:
1720 music reviews
    • 74 Metascore
    • 80 Critic Score
    [It] sounds more like a continuation of Pinback's 2004 high-water mark, "Summer in Abaddon." This is, of course, a good thing. [27 Jan 2007]
    • Billboard
    • 65 Metascore
    • 70 Critic Score
    The garage band feel of the album—which was, in fact, recorded in a garage—breathes new life into Mellencamp's common-man themes. [27 Jan 2007]
    • Billboard
    • 75 Metascore
    • 80 Critic Score
    Ce
    The disc spotlights Veloso blasting off with raw, beat-driven fuel in the company of a band of youngsters who animate and invigorate him. [27 Jan 2007]
    • Billboard
    • 45 Metascore
    • 20 Critic Score
    Like its predecessor, the equally undercooked "The New Danger," there is a sense that a deadline crawled up before the music was cemented. [13 Jan 2007]
    • Billboard
    • 65 Metascore
    • 40 Critic Score
    Overall, worth a spin or two, but one hopes there's a better stash left to sample. [16 Dec 2006]
    • Billboard
    • 70 Metascore
    • 70 Critic Score
    His lyrics have matured past coke-slinging to the drug's effect on his life. [16 Dec 2006]
    • Billboard
    • 58 Metascore
    • 70 Critic Score
    All spun together it works well, and maybe even better than on the debut. [16 Dec 2006]
    • Billboard
    • 65 Metascore
    • 50 Critic Score
    Songs such as the Rodney Jerkins-produced "Make It Last Forever" and "Get Up"... are surefire club hits, although such ballads as "It's Over" tend to fall flat. [9 Dec 2006]
    • Billboard
    • 50 Metascore
    • 70 Critic Score
    Despite meticulous production, "The Re-Up" retains some of the spare, raw feel of an underground release. [16 Dec 2006]
    • Billboard
    • 89 Metascore
    • 80 Critic Score
    At first the beats are jarring. But like the Clipse's debut smash, "Grindin'," once it all clicks, it's unstoppable. [2 Dec 2006]
    • Billboard
    • 67 Metascore
    • 70 Critic Score
    His ambitions and self-awareness have grown nearly as much as his net worth. [2 Dec 2006]
    • Billboard
    • 83 Metascore
    • 80 Critic Score
    This mash-up, Beatles style, is cool stuff indeed, but is even more dazzling live onstage. [25 Nov 2006]
    • Billboard
    • 92 Metascore
    • 80 Critic Score
    Vast in scope, rich in trope and full of hope. [25 Nov 2006]
    • Billboard
    • 78 Metascore
    • 70 Critic Score
    "The Devil and God" plays its hurt with polish and panache, however, as Brand New's textured dynamics marry mood and an aggressive ebb-and-flow on nearly every track. [25 Nov 2006]
    • Billboard
    • 70 Metascore
    • 60 Critic Score
    Snoop has found a happy balance between pop and hardcore. [25 Nov 2006]
    • Billboard
    • 80 Metascore
    • 60 Critic Score
    Sweet and pretty. [25 Nov 2006]
    • Billboard
    • 68 Metascore
    • 70 Critic Score
    Offers a more diverse song mix than one might expect. [18 Nov 2006]
    • Billboard
    • 73 Metascore
    • 60 Critic Score
    Even though "Doctor's Advocate" has its failings, it's a prescription that comes recommended. [18 Nov 2006]
    • Billboard
    • 65 Metascore
    • 60 Critic Score
    It doesn't all hit home, but at its best ("Heaven/ Where True Love Goes," "In the End," "Green Fields, Golden Sands"), this record is uplifting enough to satisfy even a 30-year thirst. [18 Nov 2006]
    • Billboard
    • 64 Metascore
    • 60 Critic Score
    9
    It is simply miserable, heavy, repetitive and cathartic. [18 Nov 2006]
    • Billboard
    • 52 Metascore
    • 70 Critic Score
    Tenacious D insists it is the greatest band in the world, and on a couple occasions during this soundtrack to the duo's upcoming film of the same name, you kinda believe it. [18 Nov 2006]
    • Billboard
    • 73 Metascore
    • 80 Critic Score
    [It] rocks harder and is more diverse than its three predecessors. [18 Nov 2006]
    • Billboard
    • 77 Metascore
    • 60 Critic Score
    [It] flashes with moments of greatness. [9 Dec 2006]
    • Billboard
    • 67 Metascore
    • 80 Critic Score
    Fully realized and largely insane. [4 Nov 2006]
    • Billboard
    • 72 Metascore
    • 60 Critic Score
    For most of "Saturday Night Wrist," Deftones contentedly let their instruments wander, inventing a meandering soundscape that broods in near darkness. [4 Nov 2006]
    • Billboard
    • 78 Metascore
    • 90 Critic Score
    Sure, McKay is a sonic chameleon, but perhaps more important, she is one deft (and witty) songwriter/musician. [14 Jan 2006]
    • Billboard
    • 67 Metascore
    • 70 Critic Score
    It's the shimmering beauty of the title track, an overhaul of the Christine McVie-penned Fleetwood Mac tune, where Adams and Nelson's styles most seamlessly, and quite beautifully, mesh. [4 Nov 2006]
    • Billboard
    • 64 Metascore
    • 70 Critic Score
    While the Who's acoustic side has always been underappreciated, Townshend revels in it here. [4 Nov 2006]
    • Billboard
    • 52 Metascore
    • 70 Critic Score
    Amid all the pomp and circumstance, Loaf delivers an album fans are going to love. [4 Nov 2006]
    • Billboard
    • 15 Metascore
    • 30 Critic Score
    In general, Federline enunciates well. [11 Nov 2006]
    • Billboard