Billboard's Scores

  • Music
For 1,720 reviews, this publication has graded:
  • 71% higher than the average critic
  • 2% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 The Boxing Mirror
Lowest review score: 10 Hefty Fine
Score distribution:
1720 music reviews
    • 66 Metascore
    • 30 Critic Score
    On "Machina," the Pumpkins don't sound creatively bankrupt as much as they sound burned out, uninspired, and not living up to their potential.
    • 66 Metascore
    • 80 Critic Score
    This surprisingly lively set finds the former disco diva teaming with a crew of young collaborators--including Greg Kurstin, Danielle Brisebois, Ziggy Marley, J.R. Rotem and Lester Mendez--for a series of uptempo forays into stomping dance-pop, juke-joint blues-rock, breezy Latin jazz and African-accented soul.
    • 66 Metascore
    • 60 Critic Score
    Mostly, this is by-the-numbers stuff.
    • 66 Metascore
    • 70 Critic Score
    Throughout the 19 tracks, the group comes across as confident and capable of charming in varying motifs across the rock spectrum.
    • 66 Metascore
    • 70 Critic Score
    Morello shows us that he's a) a facile acoustic guitar player, too, b) a better than serviceable singer and c) an intelligent and passionate social commentator and protest singer. [28 Apr 2007]
    • Billboard
    • 66 Metascore
    • 80 Critic Score
    Most of the time, however, the band makes a righteous racket that straddles the worlds of prog rock, funk, fusion jazz and world music, with Eastern motifs spicing 'Aberinkula' and a bit of cosmic blues making its way into 'Conjugal Burns.'
    • 66 Metascore
    • 70 Critic Score
    It's unfortunate that much of their sophomore effort is submerged in an ocean of heavy-handed production, so deep that the boys' natural talents struggle to break the surface.
    • 66 Metascore
    • 80 Critic Score
    Aside from moments where the wackiness gets too overwrought (kid song sound-alike 'Underwater,' the Muppets-y 'Like It or Not'), Places really struts when snarkless electro is in the fore, and a disco high-hat or sunny, guitar-led rock dominates.
    • 66 Metascore
    • 80 Critic Score
    This French quartet specializes in bubbly AM indie-pop that gives it more the feel of a male-fronted version of the Cardigans.
    • 66 Metascore
    • 60 Critic Score
    Much of "Drukqs" sounds like two different albums competing and thus canceling each other out.... An ambitious but ultimately failed experiment.
    • 66 Metascore
    • 80 Critic Score
    This North Carolina-based sextet's major-label debut is as rich and diverse as 2006's "Be He Me," unfolding with layers of piano and string flourishes, crunching guitar jams and vibrant pop melodies.
    • 66 Metascore
    • 80 Critic Score
    Call and Response is everything the format could and should be.
    • 66 Metascore
    • 70 Critic Score
    The slick, hyperproduced "It Won't Be Soon Before Long" is a set of 12 potential hits, all mashes of groove and guitar firepower. [26 May 2007]
    • Billboard
    • 66 Metascore
    • 80 Critic Score
    Pop's understated delivery draws even the most skeptical of listeners in, bathing his hushed voice in beds of stark piano and tremolo-washed guitar.
    • 66 Metascore
    • 50 Critic Score
    The deafening dialectics often feel contrived, making Test Icicles sound like a fun "project," not a real band. [28 Jan 2006]
    • Billboard
    • 66 Metascore
    • 80 Critic Score
    Aided by expert musicianship and spot-on production, Bentley translates his on-stage charisma to the studio better than ever before. [21 Oct 2006]
    • Billboard
    • 66 Metascore
    • 70 Critic Score
    A mostly sassy'n'snotty affair on which she sounds even younger than when her debut album, 2002's "Let Go," went multiplatinum. [28 Apr 2007]
    • Billboard
    • 66 Metascore
    • 80 Critic Score
    Alone is quirky, but also an intriguing glimpse into one artist's creative process.
    • 66 Metascore
    • 60 Critic Score
    The set as a whole lacks variety and rarely shifts tempo. [24 Feb 2007]
    • Billboard
    • 66 Metascore
    • 40 Critic Score
    The band tries to stretch but trips over its own convictions.
    • 66 Metascore
    • 90 Critic Score
    Rock music this substantive is increasingly rare, but "Plans" delivers beyond expectations.
    • 66 Metascore
    • 70 Critic Score
    At first blush, Lanois' music is flowery wallpaper, but on repeated listens the colorful textures sink in and evoke a hushed mysticism.
    • 65 Metascore
    • 60 Critic Score
    It doesn't all hit home, but at its best ("Heaven/ Where True Love Goes," "In the End," "Green Fields, Golden Sands"), this record is uplifting enough to satisfy even a 30-year thirst. [18 Nov 2006]
    • Billboard
    • 65 Metascore
    • 90 Critic Score
    "The Search" is Son Volt 2.0, a modern, mature album that might be the group's best yet. [10 Mar 2007]
    • Billboard
    • 65 Metascore
    • 80 Critic Score
    Whether it is described as danceable rock, rock-infused dance or sinister Britpop, Kasabian has made an excellent debut album.
    • 65 Metascore
    • 60 Critic Score
    Touching Down is a fluid set that moves from track to track with little or no delineation. As a result, the album is, at times, redundant.
    • 65 Metascore
    • 50 Critic Score
    "Revolverlution" may be little more than a curious career capper, but at least the never risk-averse Public Enemy seems to understand that even failure can be your friend if it ultimately helps you move forward and stay fresh.
    • 65 Metascore
    • 80 Critic Score
    This self-assured, illuminating "MTV Unplugged" performance underscores Keys' boundless passion for her craft. [15 Oct 2005]
    • Billboard
    • 65 Metascore
    • 70 Critic Score
    Smith and her trusty band largely strip arrangements bare, lyrical and emotional content taking center stage. [28 Apr 2007]
    • Billboard
    • 65 Metascore
    • 80 Critic Score
    Frontman Aaron Espinoza digs deep into the crevice of his broken heart and pulls out arguably his finest batch of songs.