Billboard's Scores

  • Music
For 1,720 reviews, this publication has graded:
  • 71% higher than the average critic
  • 2% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 The Boxing Mirror
Lowest review score: 10 Hefty Fine
Score distribution:
1720 music reviews
    • 67 Metascore
    • 60 Critic Score
    At its best, "Golden Pollen" is graceful, intricately planned and divinely produced.... On occasion though, the set can be downright boring. [23 Jun 2007]
    • Billboard
    • 64 Metascore
    • 70 Critic Score
    This is an exciting new chapter for Bon Jovi. [23 Jun 2007]
    • Billboard
    • 75 Metascore
    • 70 Critic Score
    QOTSA envelops many of the songs in a fog of menacing guitar squall that focuses as much on atmospherics as hooks. [16 Jun 2007]
    • Billboard
    • 69 Metascore
    • 70 Critic Score
    Satisfying. [9 Jun 2007]
    • Billboard
    • 56 Metascore
    • 70 Critic Score
    This is some of Cornell's most uncomplicated and accessible music to date. [9 Jun 2007]
    • Billboard
    • 63 Metascore
    • 50 Critic Score
    There are only a couple of songs with enough impact to avoid boring people who catch the band on tour this summer. [9 Jun 2007]
    • Billboard
    • 72 Metascore
    • 60 Critic Score
    Focusing more on catchy hooks and Fergie-style chants than lyrics helps disguise her vocal limitations. [9 Jun 2007]
    • Billboard
    • 59 Metascore
    • 70 Critic Score
    "Ultra Payloaded" is a party record that veers from the light, airy and catchy to the absolutely crankable. [2 Jun 2007]
    • Billboard
    • 63 Metascore
    • 60 Critic Score
    It's a very sexually explicit R. Kelly who greets fans on this outing. [2 Jun 2007]
    • Billboard
    • 84 Metascore
    • 70 Critic Score
    The 14 tracks find Thompson in typical tasteful form, playing with understated flash that straddles the trans-Atlantic divide to embrace Celtic soul and rootsy Americana, with bits of jazz and Jamaica ("Bad Monkey," "Francesca") thrown into the mix. [2 Jun 2007]
    • Billboard
    • 86 Metascore
    • 80 Critic Score
    Matt Berninger's murmuring, stream-of-conscious narratives are delivered with convincing melodrama, with few clunkers. [26 May 2007]
    • Billboard
    • 71 Metascore
    • 70 Critic Score
    Despite a few lyrical missteps ("Future Pt. 1"), "Voxtrot" is generally insightful and emerges as a promising debut. [26 May 2007]
    • Billboard
    • 62 Metascore
    • 70 Critic Score
    The overall mood is a bit more pensive and solemn. [26 May 2007]
    • Billboard
    • 66 Metascore
    • 70 Critic Score
    The slick, hyperproduced "It Won't Be Soon Before Long" is a set of 12 potential hits, all mashes of groove and guitar firepower. [26 May 2007]
    • Billboard
    • 70 Metascore
    • 80 Critic Score
    This is signature Erasure, and fans will find it pure delight. [26 May 2007]
    • Billboard
    • 72 Metascore
    • 70 Critic Score
    Though the final third of the album drags a touch as Wainwright lets up on the heart-pounding melodrama, the highs here are exceptional. [19 May 2007]
    • Billboard
    • 73 Metascore
    • 60 Critic Score
    On first listen, it might seem too derivative, even dull, but Jeff Tweedy's intricate vocal melodies and Nels Cline's ferocious guitar work keep things interesting. [19 May 2007]
    • Billboard
    • 56 Metascore
    • 50 Critic Score
    Linkin Park's ambitions are nearly palpable, but songs likely conceived as homages end up sounding too close to their sources. [26 May 2007]
    • Billboard
    • 79 Metascore
    • 60 Critic Score
    Although the arrangements remain impressive, there are moments when it feels as though Dungen should stick with a quicker pace. [26 May 2007]
    • Billboard
    • 68 Metascore
    • 70 Critic Score
    As expected, there's plenty of ass-kicking country on Wilson's third album, but it's her softer side that sets it apart. [19 May 2007]
    • Billboard
    • 52 Metascore
    • 40 Critic Score
    Aside from grand moments like "All Hands on Deck - Part 1: Raise the Sail" and the orchestral wall that builds on "The Sweetest Wave," you don't get the feeling that a continuous story binds the album together.
    • 67 Metascore
    • 70 Critic Score
    Maximo Park... safely explore new territory without being too obvious. [12 May 2007]
    • Billboard
    • 77 Metascore
    • 60 Critic Score
    Even Björk's misses are more exciting than most of what we currently call hits. [12 May 2007]
    • Billboard
    • 77 Metascore
    • 70 Critic Score
    A number of songs significantly pick up the pace for a change. [12 May 2007]
    • Billboard
    • 74 Metascore
    • 70 Critic Score
    Fans will notice a more organic, rougher approach to the formula of jazz chords, pretty dissonance and summery melody lines. [12 May 2007]
    • Billboard
    • 85 Metascore
    • 70 Critic Score
    There are some real gems here. [12 May 2007]
    • Billboard
    • 77 Metascore
    • 70 Critic Score
    Much of "Human the Death Dance" goes for something deeper—the sound of an artist afraid of what he almost became. [12 May 2007]
    • Billboard
    • 74 Metascore
    • 70 Critic Score
    A relatively solid return that should bring some new fans into the flock. [12 May 2007]
    • Billboard
    • 80 Metascore
    • 80 Critic Score
    Easily the most likable and listenable jazz album of 2007. [12 May 2007]
    • Billboard
    • 69 Metascore
    • 60 Critic Score
    Despite it being more rock-oriented than 2005's "The Beekeeper," this album isn't much of a sonic progression, and it takes a while for "Posse" to find its voice. [5 May 2007]
    • Billboard