Baltimore Sun's Scores

  • Movies
  • TV
For 2,175 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 1.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Odd Man Out
Lowest review score: 0 Double Team
Score distribution:
2175 movie reviews
  1. The best thing about Black Knight is when it finally says goodnight.
    • Baltimore Sun
  2. Novocaine is neither funny enough to be a comedy, nor dark enough to be a true film noir. Like the drug of the title, it just kind of leaves you numb and anxious to taste the good stuff once again.
    • Baltimore Sun
  3. All it lacks are the crucial things an inspired director could have provided: spark, soul and magic.
    • Baltimore Sun
  4. A one-joke movie. What makes it misfire is that its one joke clashes with its one idea.
    • Baltimore Sun
  5. As a movie, Heist is merely an amiable time-killer. But it presents a terrific argument for federalizing airport security.
    • Baltimore Sun
    • 25 Metascore
    • 25 Critic Score
    The One is all sound and fury, and nothing else.
    • Baltimore Sun
  6. The movie may not be perfect, but it's jam-packed with goodies -- like a breakfast cereal fun-pack with a prize on every box-top.
    • Baltimore Sun
  7. Akin to being force-fed sugary confections from a bottomless bowl. At first the idea seems just grand, but after a while, all you want to do is scream, "Enough!"
    • Baltimore Sun
  8. Despite its adrenalized actors, Tape is a tired return to the roots of the American indie movement's popular surge a dozen years ago. It could have been called "sex, lies and audiotape."
  9. Sttrictly movie-of-the-week stuff. And not very good stuff, at that.
    • Baltimore Sun
  10. Isn't serious enough to fulfill its ambitions, or funny enough to compensate for its failures.
    • Baltimore Sun
  11. The casting in K-PAX is canny, but the picture as a whole is a clunky mix of the canny and the would-be uncanny.
  12. Life as a House mounts a brutally insensitive attack on its audience's sensitivities.
    • 30 Metascore
    • 63 Critic Score
    As scary Halloween movies go, Thirteen Ghosts' "Oh, please" factor is pretty darn high.
    • Baltimore Sun
  13. Regrettably, Bones is what passes for horror these days: Throw a lot of graphic, gore-filled, darkly lit stuff on the screen, and see what sticks. Discerning moviegoers should pass on the opportunity.
    • Baltimore Sun
  14. Dubowski's movie is an act of hope that the basic human needs of the gay Orthodox will someday be reconciled with their faith.
  15. A cautionary tale that's harrowing, heartbreaking and -- especially given the times, when Americans seem all-too-ready to once again judge people as a threat solely by their appearance -- disturbingly resonant.
    • Baltimore Sun
  16. A visionary sort of horror movie should ponder three words: "Bram Stoker's Dracula."
    • Baltimore Sun
  17. It's a mishmash of "The Bridge on the River Kwai," "From Here to Eternity" and "The Great Escape," with everything complex and entertaining siphoned off.
  18. Barrymore gives a performance that's nuanced, assured and captivating.
    • Baltimore Sun
  19. A beautiful display of celluloid bungee-jumping.
  20. Levinson's quirky caper is rich with laughs.
  21. The only way sober adults will keep awake is wondering how the lead mobsters on "The Sopranos" -- who also are amateur film critics -- will rank the movie next year on HBO.
    • Baltimore Sun
  22. Viewers impressed by the fairly standard martial-arts action of "Crouching Tiger" will really be wowed after seeing this film.
    • Baltimore Sun
  23. A dizzying - sometimes frustrating - marvel of moviemaking instinct and ingenuity.
  24. It's a real shame the film gets mushy at the end. The result is an all too conventional ending on a film that should have been much better.
    • Baltimore Sun
  25. Like "Anais," the only surprises Breillat has in store for us are bad ones. In the willfully perverse final act, she delivers a sadistic blow to the audience -- with a sledgehammer.
    • 64 Metascore
    • 75 Critic Score
    This is a video stroll through a family scrapbook.
    • Baltimore Sun
  26. The potential for action never lets up; you never know what's coming around the next corner.
    • Baltimore Sun
  27. Denzel Washington does a cocksure turn in Training Day -- That may be enough to transform a shallow picture with delusions of grandeur into a crowd-pleasing hit.
    • Baltimore Sun

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