Baltimore Sun's Scores

  • Movies
  • TV
For 2,175 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 1.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Odd Man Out
Lowest review score: 0 Double Team
Score distribution:
2175 movie reviews
  1. The movie gets as overblown and masochistic as the worst Joan Crawford vehicle. Its saving grace is that Bernal really does have his own deep-set, smoldering variation on Bette Davis eyes.
  2. Salma Hayek merrily struts off with most of Brett Ratner's wispy caper comedy.
  3. The glory of the movie is Depp, who achieves his own immortality.
  4. Too bad Kidron, Fielding and company pay only cafe lip service to satire.
  5. The movie dramatizes a social-sexual sea change with an out-of-control blend of cartoon farce and melodrama and clinical, often ludicrous sex scenes.
  6. Like the coolest train set a kid ever had. It's not real and the faces on the toy people don't look human, but it has bells and whistles galore and will take you as far as your imagination allows.
  7. True-blue Incredibles is a super tribute to the power of family and the might of imagination.
  8. Ray
    It's a shame his (Foxx) performance isn't surrounded by a better film.
  9. This depressing look at love isn't quite worth enduring.
  10. A film that celebrates the intricacies of life in ways both splendid and mundane, revealing it all with unflinching honesty.
  11. The only character with any personality in The Grudge is a Tokyo house, but not to worry - it's got enough mean in it to keep any horror movie afloat.
  12. Lightning in a Bottle has breadth, both in its multitude of perspectives and its spectrum of performances.
  13. Proves that marionettes can be as foul-mouthed and profane as their cartoon counterparts, but not nearly as clever.
  14. Bening's performance makes up for a lot of deficiencies.
  15. A slick sci-fi thriller that comes complete with enough twists to keep audiences satisfied and enough moral quandaries to keep the thinkers happy.
  16. In the end, this is a movie that doesn't respect its own power. Less of a stacked deck would have left Vera Drake to play a far more effective hand.
  17. Too much about the game and not enough about the town, the players and everything else.
  18. What makes the film work better than its nearly unbearable cuteness suggests is the casting of Christopher Walken as the son; the movie has yet to be invented that Walken can't improve simply by showing up.
  19. The movie may be too precious for mass consumption, but its filmmakers' willingness to assume the best of their audience, combined with its Everyman origins, suggest a movie that deserves a chance.
  20. In the end, viewers are left with a nagging feeling that this was a long way to go for the incongruous pleasure of watching 20th-century method acting on a 17th-century stage.
  21. Taxi's only saving grace is an inexplicable, though delightful, turn by Ann-Margret as Andy's ever-tipsy mom. She's a stitch, and about 100 times better than her surrounding material.
  22. Celebrates heroes without turning them into saints.
  23. Shark Tale is "Finding Nemo" with bigger-name stars, far less heart and, the guess here is, about one-third the staying power.
  24. Huckabees boasts an impressive cast, and every one of them is fun to watch. But there's a strong sense that no one really knows what's going on here.
  25. There's a power to Woman Thou Art Loosed that transcends its limitations, a determined, heartfelt belief in the possibility of redemption.
  26. Offers a welcome riff on a well-worn horror standard.
  27. This is a movie that earns its suspense and validates its emotions, especially its examination of the bond between mother and child.
  28. Lovely, heartfelt and unforced.
  29. A Dirty Shame is certainly dirty, and maybe it's even a shame. But this is the John Waters we've come to know and cherish, and that alone is cause to celebrate.
  30. The cinematic equivalent of a careless foot fault.

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