Baltimore Sun's Scores

  • Movies
  • TV
For 2,175 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 1.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Odd Man Out
Lowest review score: 0 Double Team
Score distribution:
2175 movie reviews
  1. A Big Sleep with underage bozos, a Maltese Falcon where the stuff that dreams are made of rests in the lockers of a well-worn high school, Brick is a remarkable oddity, audacious and engaging.
  2. The offhand wit and casual self-revelation of Johnston's best words draw you deeper into the mysteries of his character. Feuerzeig is a music-lover to his bones.
  3. It twists in on itself mercilessly, rarely pausing to let the viewers catch up, but that's OK. A movie like this depends on staying at least a step ahead of its audience, and this one surely does.
  4. Queen Latifah, the star of Barbershop 2 and Beauty Shop, and thus our reigning monarch of big-screen beauty stylists, should fund and narrate a sequel. Because The Beauty Academy of Kabul is good enough to make you want to know how they do.
  5. Thanks to a combination of fluid camerawork and careful pacing, the Belgian writer-directors have produced a compelling narrative that sounds, if not a cautionary note, a worried one.
  6. Find Me Guilty flat-lines early.
  7. The surefire laugh-getter centers on using a tampon to stop a nosebleed. Watching this movie, I had to hope it could stop brain-drain.
  8. The Wachowski Brothers once again they prove themselves our reigning masters of murk.
  9. In some ways, Thank You for Smoking does not bemoan smoking as much as it bemoans people's willingness to be duped by smooth-tongued orators.
  10. It rarely strikes the right tone and ultimately falls short of what one would expect from a collaboration between director Wim Wenders and writer Sam Shepard.
  11. There's comfort in seeing actors we know doing what we've come to expect them to do. But more important, the film surrounds them with supporting characters who are less familiar to us, who act in ways we don't expect.
  12. Ask the Dust is more than an amorous period piece. It's a strongly bitter, strongly sweet poem in prose and motion.
    • 74 Metascore
    • 100 Critic Score
    Almost everything that happens - and almost everything happens within Flama's apartment - is food for dry humor and very recognizable humanity.
  13. As good as Willis is, he's no match for Mos Def.
  14. Refreshingly, the movie never wavers in the importance it places on friendship over just about anything else.
  15. Some of the movie's sunniest moments arrive as Chappelle ambles through Ohio. He's an observational comic with a drawling syntax that's almost as sly as Mark Twain's.
  16. The result is an out-of-control, lost-in-the-funhouse experience.
  17. The determinedly cynical needn't bother, but just about everyone else should love Eight Below.
  18. Unfortunately, the waste of artistic possibilities dwarfs the human wreckage - and the human salvage - in Freedomland.
  19. If you have a sneaky taste for the monstrous and a hearty appetite for the outlandish, the pulpy yet engaging Night Watch should leave you merrily sated.
  20. It's an authentic, harrowing tale of heroism.
  21. Some adults may find the film unbearably simplistic, or its pace burdensomely slow. But it would be a shame if movie audiences have become so hyper-adrenalized that they can't appreciate a charmer like Curious George.
  22. Signs of fatigue are all over the film itself.
  23. It's the wrestling match between the banker and the bad guy that fuels the audience's adrenaline.
  24. Even the cartoon Pink Panther in the credits seems off - at once too glitzy and too fey, more Peter Allen than Pink Panther.
  25. The result is a performance film that conjures a vision of American life as moving, funny and rueful as John Ford's Young Mr. Lincoln.
  26. A masterpiece of psychological suspense.
  27. It does offer that most pleasant and valuable of viewing experiences: A message movie in which story and character come first.
  28. Gory overkill.
  29. Bubble is the moviemaking equivalent of the worst narrative journalism. Every bit of "human interest" is so painstakingly planted, so determined to be applauded for its observation and sensitivity, it ends up seeming as slick and bogus as the worst Hollywood blockbuster.

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