Baltimore Sun's Scores

  • Movies
  • TV
For 2,175 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 1.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Odd Man Out
Lowest review score: 0 Double Team
Score distribution:
2175 movie reviews
  1. Heading South is a hydra-headed love story, as dangerous as it is heated and complex.
  2. A visual masterpiece about a scared little girl's breathtaking journey of self-discovery. All of the fun is getting there.
  3. You'll never see a more tactile expression of the intimacy between artists and their instruments than in Davis Guggenheim's elating It Might Get Loud.
  4. A moral, not a moralistic, movie. It's also a bracing aesthetic achievement, creating a fictional version of a factual case that illuminates as it entertains.
  5. "His eye is incredibly sharp and amazing, in regard to visceral cinema," says Uma Thurman, who has worked with Tarantino on both Pulp Fiction and Kill Bill. "He's a great storyteller. He's very seductive as a filmmaker."
  6. The documentary American Teen is the most realistic movie you will see all summer.
  7. A masterpiece.
  8. The Dixie Chicks may never regain their prolonged eminence on the country charts. However, the art and entertainment value of this movie (and of their latest album) is off the charts in the best way.
  9. Killer of Sheep is a miracle movie because it's receiving its first theatrical release 30 years after it was made and because, as a movie, it's miraculous.
  10. An exhilarating movie about sadness and renewal.
  11. The Sea Inside brings us outside and inside ourselves, and takes us to brave new aesthetic depths.
  12. The movie grows richer as it goes along and contrasting pieces click together.
  13. Howl's Moving Castle is one animated epic that has it all: poetic intensity, potent storytelling, vivid and surprising characters, and intoxicating powers of visual imagination.
  14. Hathaway carries you on an emotional whirligig that can be horrifying and funny, hopeful and devastating.
  15. Venus is a magnificent tribute to actors by filmmakers who know they are the essential human material of theater and the screen.
  16. The Prisoner of Azkaban is to Harry Potter what that other No. 3, "Goldfinger," was to James Bond: the movie that takes the invention and gamesmanship of the series to a whole new giddy peak.
  17. Black and white has never looked more stark.
    • Baltimore Sun
  18. Voluptuous dance about love, pain and the whole damn thing.
  19. A chilling reminder of the precipice the world stands on nowadays, from a man who looked over the edge more than once.
  20. The movie pays tribute to sexual equality and to each gender's agility and strength of character.
  21. One happy surprise after another, even when the content is bittersweet or sad.
  22. A glorious medieval war movie. It's about war as the ultimate pitch of conflict that tries men's souls, and women's, too.
  23. The movie is a marvel - bold, lucid and succinct (even at 123 minutes). It's also harrowing and moving in its depiction of noncombatant men, women and children caught between terrorism and counter-terrorism.
  24. Enraging and inspiring. It boasts the miraculous quality of finding a letter in a bottle and discovering that its authors are alive.
  25. Mirren brings intellect, humor and romance to the role of Elizabeth II.
  26. Thanks to Kerr's eloquent tremor of a performance, when the heroine witnesses apparitions, they're immediately credible to the audience. [29 May 2009, p.1C]
    • Baltimore Sun
  27. A revealing, intimate, quirky and generous portrait of nothing less than the American Dream.
    • Baltimore Sun
  28. The real attraction is watching all these guys and gals on the train, so young, so dedicated to their music, so unconcerned about almost everything else.
  29. A terrifically engrossing war film in which not a single shot is fired, a movie about shaping events rather than being shaped by them.
    • Baltimore Sun
  30. The title captures this film's harrowing qualities, but not its energy, its limpid beauty or its spiritual grace.

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