Baltimore Sun's Scores

  • Movies
  • TV
For 2,175 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Odd Man Out
Lowest review score: 0 Double Team
Score distribution:
2175 movie reviews
  1. Offers plenty of honest, good-natured laughs in the process. That's something young and old can appreciate equally.
  2. Although the acclaimed documentary Gunner Palace contains some electrifying vignettes of the Iraq war, its jaggedly elliptical and hopped-up style lands it in a limbo between ragged and slick.
  3. In Curse of the Golden Flower, Zhang Yimou tries to top the breathtaking poetic spectacle of his masterpiece, "House of Flying Daggers," and instead plummets into self-parody.
  4. A sensational date movie.
  5. The film itself is an exercise in frustration.
  6. You have to identify pretty strongly with suffering artistes to find anything to root for in The Science of Sleep.
  7. The problem with Doubt is its dramatic certainty.
  8. Thanks to Hallstrom's slaphappy artistry and a sparkling ensemble, Hoax is a hoot.
  9. Who Killed the Electric Car? makes you feel that no good idea, let alone good deed, goes unpunished. Only the exuberance of the moviemaking keeps your spirits high.
  10. The images here are graphic and disturbing. But Miike somehow manages to stop just short of disgusting.
    • Baltimore Sun
  11. This is a movie that's really about how much fun Glenn Milstead had being Divine, and how he — perhaps unexpectedly — found so many fans willing to go along for the ride. That's an American success story worth celebrating.
  12. Luckily, Penn, Watts and Leo carry more weight than that; they keep this movie's two hours and five minutes from seeming like lost time.
  13. Absorbing, artfully executed.
  14. The highest compliment I can pay Pieces of April is that it brings to mind a Paul Simon lyric: "the mother and child reunion is only a motion away."
  15. Gloriously funky in the good old meaning of the term. Its vulgarity may be offensive, but it's also pungent and real, and it fuels some ferocious humor.
  16. You'll never see a more tactile expression of the intimacy between artists and their instruments than in Davis Guggenheim's elating It Might Get Loud.
  17. For better and worse, the entire film goes by like a theme-park cyclone ride. It makes as much sense as it needs to when you're on it. All it leaves in its wake is a residue of vertigo and speed.
  18. Much of the film's virtue lies in its straight-ahead narrative and uncomplicated morality. That and the undeniable charisma and virtuosity of its star.
  19. Although the movie is unabashedly alarming, it's also intelligent fun.
  20. Pucci pulls off Justin's transformation without resorting to histrionics; it's like a radio-station signal finally coming in clearly.
  21. The only hope for Inglourious Basterds is that audiences will embrace it the way the Broadway crowd did "Springtime for Hitler": because it's so bad they think it's good.
  22. Comes across as more willfully clever than profound, leaving us to applaud the message while pondering why the messenger had to strain so hard to get it across.
  23. It has a premise that never stops percolating.
    • Baltimore Sun
  24. In an era of exploding documentary innovation, Girlhood simply follows unfamiliar characters down familiar paths. It's not a negligible experience, but it's not an eye-opener, either.
  25. Revolutionary Road isn't just a failed literary adaptation. It's a failure of the worst kind: It doesn't even make you want to read Richard Yates' deservedly legendary book.
  26. The film's action doesn't disappoint; if anything, it ups the adrenaline ante considerably.
  27. There's no irony within the film, but there's a whopping irony surrounding it. Just as Star Wars has finally ended, Rocky seems to be starting all over again.
  28. What's frustrating is that the movie should be so much better, or at least more entertaining. With Baldwin, Macy and Bello, director Kramer is holding three of a kind.
  29. It's an odd duck: a labor-intensive piece of light entertainment.
  30. No one has caught the pride, remorse and pain of an unloved and possibly unlovable husband better than Edward Norton in The Painted Veil.

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