Austin Chronicle's Scores

For 8,778 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 6.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 58
Highest review score: 100 The Searchers
Lowest review score: 0 Gummo
Score distribution:
8778 movie reviews
  1. A touching (and at times horrific) -- albeit overlong -- Christ allegory, that scores not so much on the strength of its convictions as it does on the truly remarkable performances it elicits from the cast.
  2. Mitchell's film would be another example of why former SNL cast members should choose their scripts wisely, except that Schneider wrote this one.
  3. A character-driven piece with a character who seems somewhat hollow.
  4. A forgivable error, but an error nonetheless.
  5. Ultimately feels like a movie whose heart is in the right place, even though someone neglected to flip the 'On' switch.
  6. A literate, sophisticated comedy whose humor and loss and hope linger in our hearts, like the jazz music it reveres, both sweet and lowdown.
  7. One of the truest-seeming movies I've seen in some time and as one of the most odd and haunting.
  8. Not content to whisper its truths; it would rather flaunt its valuable lessons and its good intentions, proudly boasting its sentiments like a (rainbow-striped) badge of honor.
  9. It's a wonderfully nuanced performance in an otherwise un-nuanced narrative.
  10. We're treated to such a broad panoply of godawful dialogue, righteously shoddy acting, and, worst of all for an action blockbuster of this sort, subpar effects work, that's it's all you can do not to giggle helplessly.
  11. Unostentatious originality, psychological insight, and stark beauty make it well worth any film lover's time.
  12. If you (or your kids) loved Toy Story, you'll like Toy Story 2 as well. Just don't expect any big surprises.
  13. Solid 007 entertainment -- not as bad as some of the recent Bonds but not as spunky as some of the series' originals.
  14. It's filled with marvelous performances, fabulous wit, and some dizzying images.
  15. Flawed at its core but stunning nonetheless.
  16. A living artifact that does what movies do best: exist in time.
  17. A confusing jumble of historical drama and modern social essay that only serves to cloud the whole field of Jane Austen studies.
  18. Minus much of the rose-tinted nostalgia his films have occasionally engendered. There is a nostalgic tone to the film, but it's a quiet, subtle one.
  19. Strives to depict its love-hate relationship in emotionally neutral terms, but the sympathies are ultimately lopsided.
  20. In this instance Egoyan's hereafter is a pale imitation of his yesterday.
  21. Besson loves his violence almost as much as he loves his leading lady.
  22. One of the most intelligent, engaging, and gut-bustingly funny revelations to come along in a while.
  23. It's a hockey affair at the best of times.
  24. There is a new definition of the term, "critic-proof movie," and it goes by the name Pokémon: The First Movie.
  25. This is one movie best left unattached.
  26. Like a car crash in slo-mo, it's a riveting, beautiful mess.
  27. Much of the film is frankly ludicrous, but that does little to dispel its overall power and passion.
    • 84 Metascore
    • 89 Critic Score
    A revealing, heart- and mind-engaging insight into a uniquely American character type many of us may have known.
  28. A middling urban thriller that's one part "Rear Window" and three parts "Seven."
  29. It's all a little too polished, a little too smug to be ranked up there as one of the great journalism films.

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