Austin Chronicle's Scores

For 8,778 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 6.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 58
Highest review score: 100 The Searchers
Lowest review score: 0 Gummo
Score distribution:
8778 movie reviews
  1. Until something better comes along, we're just gonna have to keep the fires burning on this Ron Mann Joint.
  2. Suffers from a surplus of interviews and information that imbue it with a vague sense of overkill.
  3. Moore succeeds, even though the film as a whole does not fare as well.
  4. (Greenaway) is often described as a director whose movies "are not for everyone." The obvious retort is that neither are the Three Stooges, but at least everyone understands them.
  5. It's Wilson's film all the way. He's brings an unexpected frisson of surfer-esque chutzpah to the role of Roy, a bad guy with good intentions, a cowboy who, dammit, just wants to be loved.
  6. Not only is Kikujiro sweet and funny, it is, no doubt, Kitano's experimental "art film."
  7. As pure a summer popcorn overdose as you're likely to find, M:i-2 is breezy, breathless, brainless fun, falling just short of Woo's own "Face/Off" but head and shoulders above anything else out there just now.
  8. The one thing about Luminous Motion that can be said with certainty is that Bette Gordon should be making more movies.
  9. A pleasant frolic, but fairly inconsequential in terms of the overall Allen output.
  10. All I know is that guys are strongly advised to avoid this on a first date.
  11. It's a visually stunning film. For every kid everywhere, and for every adult still a kid at heart, the dinosaurs are the thing, and here, finally, Disney does justice to our dreams.
    • 21 Metascore
    • 11 Critic Score
    The talented people in front of the camera fail to bring anything original, interesting, or even funny to this tedious would-be comedy.
  12. Raises fascinating question within a compelling narrative framework, and is also intriguing for the glimpse it provides into the inner workings of Orthodox Judaism.
  13. Unlikely to receive many curtain calls.
  14. Bill Murray's Polonius is so delightfully coy and self-satisfied that this performance is reason alone to see the picture.
  15. Simply put, Battlefield Earth is the worst film I've seen in over 10 years, and believe me, that's saying a lot.
  16. It's a loud, obnoxious, and pleasant-enough entertainment, but hardly the soaring tale of one man's struggle that it was so clearly envisioned to be.
    • 41 Metascore
    • 67 Critic Score
    With wonderful music, interesting characters, and lots of laughter, this picture feels much bigger than it really is.
  17. I Dreamed Of Africa...and all I got was this lousy movie.
  18. A charmingly mounted, period romantic drama that benefits from the performances of a fine ensemble cast and the lovely location settings of Florence and Tuscany.
  19. Feels for all the world like a Meg Ryan/Billy Crystal heist comedy transposed to the Far East.
  20. It's a 24-hour-party-people travelogue, entertaining enough to grab your eyes... but less memorable than it may at first appear.
  21. Due largely to the tremendous innate warmth and conviction of leads Quaid and Caviezel ("The Thin Red Line"), you may find yourself cutting a surprising amount of slack for this patently ridiculous tale.
  22. Even the youngest members of the audience appeared to be more interested in their dwindling soda supply than anything up on the screen. Yabba dabba doom.
  23. It's a feast of inconsequentiality, though, a love affair-lite that looks great but is ultimately less filling than a sunny summer Sunday's creampuff dream.
  24. Home may be where the heart is, but I kept wishing this poor silly girl would up and move.
  25. Both a headache and a marvel, often eliciting simultaneous groans of despair and sheer wonder at the director's nervy chutzpah.
  26. Graham maintains a casual charm throughout it all, but she lacks the kind of emotional depth that might have pulled this hodge-podge together.
  27. Feels more like Barry Levinson's "Tin Men" on Prozac.
  28. Not even the rich and nuanced performances of stage veterans Smith, Gambon, and Birkin can save this British period drama from languishing amid the story's unfocused longings and unrealistic musings.

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