Austin Chronicle's Scores
- Movies
- Music
For 8,778 reviews, this publication has graded:
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41% higher than the average critic
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2% same as the average critic
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57% lower than the average critic
On average, this publication grades 6.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 58
| Highest review score: | The Searchers | |
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| Lowest review score: | Gummo |
Score distribution:
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Positive: 4,774 out of 8778
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Mixed: 2,557 out of 8778
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Negative: 1,447 out of 8778
8778
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Steve Davis
Unlike other filmmakers in the autumn or winter of their careers, Eastwood doesn't seem content to rest on his laurels and give his audiences the tried and the true. For that reason, among many others, he and Million Dollar Baby are true champions.- Austin Chronicle
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Reviewed by
Marc Savlov
Let’s be honest: With a cast like this, it doesn't matter too much what the characters are doing onscreen, or if it makes about as much sense as a monochrome rainbow.- Austin Chronicle
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Reviewed by
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- Austin Chronicle
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- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
A devastating portrait of impoverished Calucutta children.- Austin Chronicle
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Reviewed by
Marc Savlov
Of all the missteps made and absurdities offered, the most glaring is the casting of what appears to be a steroidal Eurotrash pimp as no less than Dracula.- Austin Chronicle
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Reviewed by
Kimberley Jones
I don't know if the many plot swerves withstand a second viewing, but I suspect the meat of the matter – the swooning visuals, the expert choreography, the teasing love story – does.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
It's impossible to take in all the information in one sitting and at times threatens to spin off in too many directions, but I guarantee this movie will provide plenty to mull over and inspire consumers to demand greater accountability from their media purveyors.- Austin Chronicle
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Reviewed by
Marc Savlov
Closer is an un-love story as honest and naked as Cupid in the devil's dock, the whole truth, and nothing but.- Austin Chronicle
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Kimberley Jones
The elements are all here for something spectacular – and in brilliant bursts, Jeunet really gets it – but in the end, all that potential is sunk by a terminally confused tone and milquetoast pairing of lovers. Pity that.- Austin Chronicle
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Reviewed by
Marc Savlov
The filmmakers wisely stay in the background and allow the people of Whitwell to tell their own story, although this simple, honest little film is occasionally marred by an emotionally manipulative music score straight out of Heartstring Tuggers 101.- Austin Chronicle
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Marc Savlov
Egregiously mediocre and flagrantly ill-conceived in every department, this is, truly, the cinematic equivalent of finding a single solitary Saltine in your stocking and a pair of old tube socks beneath the tree. Humbug!- Austin Chronicle
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Reviewed by
Marc Savlov
It is, in a word, boring, and that's the most un-Oliver Stone adjective I can think of.- Austin Chronicle
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- Critic Score
All those seriously interested in foreign cinema are encouraged to take a look at this atmospheric drama -- sure to be remembered as one of the key achievements of the Hong Kong cinema in the 1990s.- Austin Chronicle
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- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
With Bad Education, the great Almodóvar delivers the finest movie of his career.- Austin Chronicle
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Reviewed by
Marrit Ingman
Once again the title pretty much says it all.- Austin Chronicle
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Reviewed by
Marc Savlov
You know you're watching some sort of bizarre classic when King of Trash John Waters gets half his face burned off by sulfuric acid in the first act.- Austin Chronicle
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Reviewed by
Marc Savlov
The man behind the "Rush Hour" franchise proves that dropping sly nods in Alfred Hitchcock's direction does not necessarily a fine caper make.- Austin Chronicle
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Reviewed by
Marrit Ingman
Final verdict: Cast is excellent; movie is OK; men and women are soooo different.- Austin Chronicle
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Kimberley Jones
Kinsey is too tasteful by half, and while it may have its gentle charms, it never thrills.- Austin Chronicle
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Reviewed by
Steve Davis
Takes you back to a time in which people – children, in particular – still created whole worlds in their heads, inventing characters and situations as far away as their flights of fancy would take them.- Austin Chronicle
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Reviewed by
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- Austin Chronicle
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- Austin Chronicle
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Reviewed by
Steve Davis
The film might have been redeemed by Ardant's performance as Callas. But for a rare glimpse of the diva's ferocious appetite for life, however, this French actress seems all wrong for the part.- Austin Chronicle
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Reviewed by
Marrit Ingman
This first dramatic feature by documentarian Evans is an important film but not necessarily a successful one.- Austin Chronicle
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- Austin Chronicle
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Reviewed by
Kimberley Jones
Perhaps the more appropriate question to put to this remake would be "What the hell’s the point?"- Austin Chronicle
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- Austin Chronicle
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Reviewed by
Marc Savlov
One extended joke on the fallibility of texting ghetto slang to your buddies rings out above the others, but the vast majority of the buffoonery is subpar wigga-schtick, and so witless that not even some seriously slamming tracks from the likes of So Solid Crew, Ms. Dynamite, and DMX can save this white-chocolate meltdown.- Austin Chronicle
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