Austin Chronicle's Scores

For 8,783 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 6.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 58
Highest review score: 100 The Searchers
Lowest review score: 0 Gummo
Score distribution:
8783 movie reviews
  1. Poor Things is a revelation, a potent story about self-creation that’s worth seeking out, and that’s worth getting lost in.
  2. What Mr. Soul! expresses is that we still need people like Haizlip to push Black stories so they are seen and heard.
  3. Back to the Future entertainingly deals with the child's eternal question: If my parents had never met, where would that leave me?
  4. If you (or your kids) loved Toy Story, you'll like Toy Story 2 as well. Just don't expect any big surprises.
  5. Yes, Black Panther is a moment. But in 20 years' time (or 100 more Marvel films), when this moment has passed, it will still be the kind of resonant, rip-roaring crowd-pleaser to which all smart action films should aspire.
  6. If you’re yearning to take a sentimental journey, Brooklyn is the perfect destination.
  7. Nobody Knows is the rare film that successfully tells its tale of childhood from the children’s point of view.
  8. Life Is Sweet observes this constellation of people without ever really commenting on their lots. Very little occurs and thus, if you don't find yourself drawn to these characters, you will find yourself wondering when it will all be over.
  9. It’s a celebratory movie designed to rekindle awe and admiration for the accomplishments of the NASA astronauts and ground scientists, as well as a reminder of the endless realms of possibility that can be achievable when a country and its politicians work in unison toward a shared goal.
  10. God forbid this should ever play on an IMAX screen -- the concussive soundtrack and relentless visuals would likely strike viewers deaf and blind (but what a way to go!). Simply breathtaking.
  11. It is an observant and effective study in character and setting, suitably grave and distinctively realized.
  12. While there is poetic grace, that's not to say that there's no didacticism. Like Baldwin, Jenkins has a rigorous sense of what is broken in society.
  13. The film is so soaring, sometimes literally, I hardly missed the feeling of hard ground underfoot.
  14. Armstrong presents a warm, funny, and believable rendering of the March family.
  15. If, at times, Shine's luster reveals more elbow grease than internal radiance, the movie is still a moving tribute to the human capacity to overcome all odds.
  16. A superlative cast vividly captures the turbulence of this classic drama about the constrictions caused by race in postwar Chicago.
  17. Grant punctuates almost every piece of Hock’s dialogue with an absurd gesture or facial expression – the theatricality of his portrayal of this not-so-street-smart bullshit artist is fascinating.
  18. So many strands, and when the full tapestry is unfurled, its captivating, beautiful, thrilling, and entrancing patterns are revealed. Wolfwalkers stands proud as a new classic.
  19. The story is one of those great mad scientist tales in which the potion invented with the best intentions for its enhancement of human life becomes instead an evil force bent on its destruction. The visual effects here are pretty great - and at first comedic - as the Invisible Man smokes and brawls and rocks in a chair. Oh, but then the horror happens.
  20. The film is a biting critique of American race relations in the Fifties and a complex study in contrasts and paradoxes.
  21. An abundance of color is present in Pain and Glory but the shades are more muted than Almodóvar’s early color-saturated work. Thematically and visually, this film has more in common with such Almodóvar dramas as "All About My Mother" and "Talk to Her." Pain and Glory is ultimately the story of an artist on the verge of a creative breakthrough.
  22. A tour de force of modern cinema.
  23. This isn't some pomo arthouse picture looking to score points by subverting the gangster paradigm; it's a killer film about killers who idolize film but are unable or unwilling to parse the doom that always crops up come Act III.
  24. 100 minutes spent watching children struggle and delight in learning is, at least in my book, 100 minutes happily spent.
  25. In her assured film debut as Freddie, Park holds your rapt attention.
    • 87 Metascore
    • 89 Critic Score
    The Velvet Underground is exactly the movie the Velvet Underground deserves.
  26. All That Breathes instills admiration and wonder while also subtly implicating human beings in a responsibility for the upkeep and furtherance of life.
  27. Blue is a movie that engages the mind, challenges the senses, implores a resolution, and tells, with aesthetic grace and formal elegance, a good story and a political allegory.
  28. Mami Wata is a marvel to behold (cinematographer Lílis Soares winning a Special Jury Prize at Sundance this year was a no-brainer) and Obasi throws in enough curveballs to this familiar story to keep you off-kilter.

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