Austin Chronicle's Scores
- Movies
- Music
For 8,800 reviews, this publication has graded:
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41% higher than the average critic
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2% same as the average critic
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57% lower than the average critic
On average, this publication grades 6.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 58
| Highest review score: | The Searchers | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 4,793 out of 8800
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Mixed: 2,560 out of 8800
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Negative: 1,447 out of 8800
8800
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Marjorie Baumgarten
Nick and Nora Charles are one of the screen's great couples.- Austin Chronicle
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Reviewed by
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Reviewed by
Marjorie Baumgarten
The story is one of those great mad scientist tales in which the potion invented with the best intentions for its enhancement of human life becomes instead an evil force bent on its destruction. The visual effects here are pretty great - and at first comedic - as the Invisible Man smokes and brawls and rocks in a chair. Oh, but then the horror happens.- Austin Chronicle
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Reviewed by
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- Critic Score
This is entertaining fare that's still potent today in all its pre-censorship seediness.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
This criminal tale excited audiences and landed the kinetic Cagney on the movie map. Now a classic, this is the movie in which Cagney famously crams a grapefruit into Mae Clarke’s face.- Austin Chronicle
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Reviewed by
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Reviewed by
Marjorie Baumgarten
The film stars “It Girl” Clara Bow and a very young Gary Cooper in a WWI love triangle, but the film’s real highlight is its spectacular aerial photography.- Austin Chronicle
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Reviewed by
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Reviewed by
Marc Savlov
To this day one of the most riveting, horrific, and empathetically turbocharged pieces of motion picture history ever recorded, Eisenstein's mind-bogglingly complex composition – utilizing a seeming cast of thousands of extras in addition to the unnamed, iconic main figures – is a gory ballet of marching Cossacks, frantic Odessites, trampled innocence, and doomed dissent.- Austin Chronicle
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Reviewed by
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- Critic Score
We witness no darker horrors than the roar of a car wash, yet Haneke's static, panoptic camerawork – shot alarmingly close or disquietingly afar – conveys considerable menace.- Austin Chronicle
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