Austin Chronicle's Scores

For 8,784 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 6.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 58
Highest review score: 100 The Searchers
Lowest review score: 0 Gummo
Score distribution:
8784 movie reviews
  1. Ridiculous plot, dumb characters, foolish dilemmas. The only point to this movie is to make Macaulay a millionaire.
  2. The man behind the "Rush Hour" franchise proves that dropping sly nods in Alfred Hitchcock's direction does not necessarily a fine caper make.
  3. They shoot rodents, don't they?
  4. Meandering, sub-aquatic mess: It's so bad it's good, but only if you slide in on a freebie.
  5. An adaptation of Kody Keplinger’s YA novel, The DUFF is exponentially dumb.
  6. Shoddily plotted and unimaginative, Species II is a slapdash effort at best, creepily unaffecting and minus the T&A this sort of film so desperately hinges on.
  7. CJ7
    Chow's loyal fans are sure to be disappointed by CJ7, and the film faces one other significant problem in traveling to these shores: Any kid who is the right age to appreciate this pap is going to be too young to read subtitles.
  8. If you're gonna hire one of the funniest American comedians working today – Zach Galifianakis – and shove him to the side of the frame, then frankly, you can take what happens in Vegas, keep it in Vegas, and keep the rest of the us out of it.
  9. Check the credits: That move is ripped straight from producer Michael Bay's playbook.
  10. Fails chiefly because it's senseless. How it even managed to bypass the straight-to-video route boggles the mind and is a speculative fiction far more engaging than any to be found onscreen.
  11. One of the unfunniest comedies it’s ever been my misfortune to see.
  12. While the somewhat indefatigable Stone may survive this misfire (she's survived plenty of others), Lumet may not.
  13. Whether you view it as intellectually dishonest or just plain sloppy, Deception is a movie that more than lives up to its title.
  14. Brings absolutely nothing new to the autopsy table that wasn't previously covered.
  15. To make a bad movie worse, even Ballistic's fight scenes, which ought to be the film's strong suit, are poorly edited, slice 'n' diced into incomprehensible blurs.
  16. Across the Universe will have ardent defenders, but in the long run, it will do nothing to infuse life into the current mini-revival of movie musicals and is as soft-headed as the wishful refrain “All You Need Is Love.” Maybe that works in real life but not in the movies, sister.
  17. A succession of shrill overacting jobs.
  18. Neither so awful as to be enjoyable nor eerily artful enough to be anything other than a snoozy also-ran in the perpetually poor plotting machine that is the demon-child cinematic subgenre.
  19. Everything about Agent Cody Banks 2 reeks of hurry-up and make this movie before its kid star Frankie Munoz loses his pubescent looks (it’s already borderline).
    • 49 Metascore
    • 20 Critic Score
    Hamm is also the only interview subject who touches on what I found to be the film’s most egregious flaw: Considering most people barely make a living wage and food insecurity is on the rise, it seems rather tone-deaf to make a film about a hotel that charges $4,000 to $20,000 per night.
  20. Daltry Calhoun's saving grace comes in the form of a snappy compilation soundtrack that spans from Johnny Cash to Serge Gainsbourg, a feat of all-inclusiveness that renders the film a moot point at best.
  21. Its narrative conceit will entertain for a while, but eventually you will long to disappear with the rest of the Mexicans.
  22. A sketchy, half-baked, stylistically inconsistent movie that scarcely even pretends to care whether it makes sense or not.
  23. Of all the missteps made and absurdities offered, the most glaring is the casting of what appears to be a steroidal Eurotrash pimp as no less than Dracula.
  24. A top-notch cast was gathered and then wasted in this atmospheric but prosaic hoodoo spooker.
  25. Lane turns in a fine performance, the kids are great and although Cyndi Lauper isn't given much to do, she does it well. But overall, afterwards I was glad to get out.
  26. The cynic in me notes that the whole, dismal enterprise is just a cheap steal from Roger Corman's 1955 film "Day the World Ended." At least that single set-bound cheapie had a three-eyed mutant to enliven the otherwise stagy proceedings.
  27. Enough already.
  28. Despite an ambitious script from Wadlow and Beau Bauman, it's extremely difficult to care, seeing as how these tropes have already been recycled enough to make Greenpeace proud.
  29. Ultimately, this is a movie that’s more about the Ottoman Lieutenant’s Woman than The Ottoman Lieutenant himself – another example of the film’s epic misdirection.

Top Trailers