Austin Chronicle's Scores

For 8,778 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 6.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 58
Highest review score: 100 The Searchers
Lowest review score: 0 Gummo
Score distribution:
8778 movie reviews
  1. It's kinda funny and pretty cute. Sometimes that's all it takes.
  2. A razor-wire-taut (and extremely violent) exploration of what happens when good guys go bad, badder, baddest.
  3. A frenetic affair, busy and silly enough to make family froth like "The Princess Diaries" look like Grand Illusion.
  4. Doesn't necessarily make for a crowdpleasing experience, though it is a provocative and uncomfortably authentic one.
  5. Its warm humor and love for its characters ultimately wins us over to its side.
  6. A pleasant and often surprising ensemble dramedy set almost entirely within the walls of a busy, fashionable Tribeca trattoria on a spectacularly busy Tuesday night.
  7. I had looked forward to seeing King's low men and their hideous yellow coats and monstrous high-finned automobiles, but what we've got here is less King than Goldman, and less fun to boot.
  8. Zoolander's consistent, blissful stupidity is a comic, mental Xanax, soothing in its gormless sense of inspired wack.
  9. Murphy's screentime takes a back seat to Douglas', of course, but from that back seat she makes a very big noise.
  10. Unforgivably tedious tale.
  11. As usual with anime features, just because it's animated doesn't mean it's for kids; heads roll and blood spurts, so know that going in, mom and dad. For the older crowd, though, it's gory and gorgeous bliss.
  12. Never devolves into the type of “man's man” adventure story that has become so fashionable again over the last couple of years, but instead trusts the power of its unembellished images and words to tell its tale.
  13. Barely even worthy of a straight-to-video release, as simplistic and silly as it is.
  14. Assure Patient, who has paranoid delusions about Jennifer Lopez being molded into the new M______ C_____, to rest easy because Lopez has never made a film as bad as Glitter.
  15. No doubt this effort will find its fans, as it should, but there's a lot of lost potential.
  16. It is truly one of the year's dumbest movies.
  17. When the boys are tossing balls around and bopping in time to Notorious B.I.G., they -- and the film -- are right-on.
  18. Unspeakably awful.
  19. A paradox, balancing the contradictions and ambiguities of its characters and setting with a careful hand that rarely falters, even though the film seems dramatically thin at times.
  20. A bracing ode to the city -- a place of aching beauty and poverty, encompassed by a disconcerting halo of ancient culture and modern nihilism.
  21. It's a goofy, tongue-in-cheek, my-gawd-how-could-we-be-so-dumb shrine, but a shrine nonetheless.
  22. A satisfying Cinderella story in which its outcast crew finally get their glass slippers, if not handsome princes. In the greatest of storytelling traditions, it is a true fairy tale with a happy ending.
  23. There's a deep, bone-weary melancholy to the proceedings, offset by the mad parties and vicious displays of machismo.
  24. If "The Others" is this year's paean to “quiet” horror, then Jeepers Creepers is its down 'n' dirty, punk rock, rip-your-throat-out-and-feed-it-to-you bastard child.
  25. Only a quite over-the-top character played by Raquel Welch strikes any false note. Otherwise, Tortilla Soup is a real chef's special.
  26. Prinze, Lillard, and Biel are all pleasant enough to look at, but the film's Romeo and Juliet tropes are shopworn by now, and the movie gives us nothing else.
  27. Together's portrait of its social moment is right-on.
  28. It keeps you off balance, all right, but not enough to obscure the sad fact that Ghosts of Mars is a muddled, derivative disaster straight on through.
  29. Scorpion fails to connect on anything but the most basic comic level. Despite Allen's usual excellent direction, it all plays like a TV-movie version of something else, Allen-lite.
  30. Gleefully silly fun, with a few core concepts on the nature of time, space, and la-la-la-love thrown in for good measure. And who can resist a puffin, anyway?

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