Austin Chronicle's Scores

For 8,783 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 6.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 58
Highest review score: 100 The Searchers
Lowest review score: 0 Gummo
Score distribution:
8783 movie reviews
  1. Michael Mann is in top form here helming this bone-chilling thriller.
  2. One of Hitchcock's very best comic thrillers, North by Northwest features scene after unforgettable scene.
  3. That's the nuanced naturalism that makes Minari so captivating, so intimate: It doesn't tell a complicated story, instead letting the roots and branches of its family drama grow and become entwined with the audience's own stories.
  4. Kubrick’s film vividly depicts the harsh realities of war and remains a great anti-war drama.
  5. Everything about its scale is epic.
  6. The peerless actors match and elevate Lonergan’s artistry beat for beat. And the film’s greatest gift of all may be that it declines to tidy up after itself, prettifying life’s messiness with a finishing bow. In the end, it’s the package that counts, not the wrapping.
  7. This knuckle-whitening depiction of a man of God toppling into his own spiritual abyss is one of Schrader’s finest and most excoriating films to date.
  8. Nolan maintains gut-wrenching suspense throughout by cross-cutting between the various characters and their plights. I’d go so far to say that Dunkirk could easily serve as its own master class in the art of film editing. Add to that an absolutely terrifyingly discordant score from Hans Zimmer and the result is, well, a bona fide classic.
  9. Mandy, though, is flat-out orders of magnitude a more emotionally adept and shockingly powerful film in virtually every department, from the dazzlingly insane cinematography and lysergically–inclined production design to what I can only believe is Nicolas Cage’s single best performance to date.
  10. Melodrama mixes with light-hearted touches, moral dilemmas, and historical reckoning in Almodóvar’s latest.
  11. Did I imagine a gloaming quality to this film, or was that just the influence of my own trudge toward middle age? That, of course, has been the steady brilliance of this series: No matter your own pace on life’s arc, you can always catch your reflection in the fishbowl glass.
  12. Amy Heckerling’s portrait of high school/shopping mall life in Southern California is still just about as good as it gets...The panoply of teen types and turmoils is dead-on accurate.
  13. We see the work, the figurative (and sometimes literal) sweat that went into crafting these characters. It’s capital-M Movie Acting, and I couldn’t love it more. It moved me.
  14. The film gets its biggest laughs – and there truly are some grandly bleak belly-shakers here – by upsetting the apple cart on traditional gender roles.
  15. The film literalizes the damage done by the ruling class in ways that are shocking, but they land.
  16. The real surprise is in how earnestly the director of some of the finest, spikiest romantic comedies ever made is willing to step off the gas and let heartfelt romance win the day. And it so very winning.
  17. The spoof that launched a thousand parodies – this is the one that's 100% funny.
  18. An epic biopic, over three hours in length, Gandhi captures the spirit of the man and his struggles.
  19. Ingenious in its simplicity.
  20. With Bad Education, the great Almodóvar delivers the finest movie of his career.
  21. Unstoppable and righteous, it roars across the no-lane hardpan like the four-iron horseman of the kinetic apocalypse, amped up on bathtub crank and undiluted movie love. Oh, what a movie. What a lovely movie!
  22. Hands down, this is the best Astaire-Rogers musical ever. Nothing more needs to be said.
  23. Linklater’s newest film, a true masterwork, eschews this big-bang theory of dramatics in favor of the million-and-one little things that accumulate daily and help shape who we are, and who we will become.
  24. Raimunda believes that dirty linen should be washed at home: Thank goodness Almodóvar hangs some of it up on the screen to dry.
  25. Undine’s hauntingly aching romance is enchanting, as thick as the feeling of inhaling water into your lungs. There’s a drowning sensation to Petzold’s myth-building in Undine that’s totally engrossing, once again proving he is one of the world’s most exquisite love story composers.
    • 85 Metascore
    • 100 Critic Score
    To extend the boxing analogy, poker’s Raging Bull is the 1974 Robert Altman masterpiece, California Split.
  26. As Hampton, Kaluuya gives the best performance of his career. He embodies what it meant to be a Panther, the simultaneous sacrifice and gratitude of carrying such militant devotion to liberation everywhere from the podium to the bedroom.
  27. This multi-Oscar-winner nails its characters, time period, and locale so perfectly that it becomes even more compelling as time goes by. Fueled by two riveting character studies and its exposure of New York City's seamy underbelly, the movie screams “contemporary” and “eternal” at once...It's one of those rare movies that comes together just about perfectly, so check out this theatrical release while you can.
  28. As disturbing as it is well-made, this low-budget indie is a thoroughly original piece of work.
  29. Streetcar is always a wonderful screen drama and now, also, a study in film archeology. [Director's Cut]

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