Austin Chronicle's Scores
- Movies
- Music
For 8,793 reviews, this publication has graded:
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41% higher than the average critic
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2% same as the average critic
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57% lower than the average critic
On average, this publication grades 6.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 58
| Highest review score: | The Searchers | |
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| Lowest review score: | Gummo |
Score distribution:
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Positive: 4,786 out of 8793
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Mixed: 2,560 out of 8793
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Negative: 1,447 out of 8793
8793
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kimberley Jones
The Queen of Versailles encourages the very worst tendencies in the audience: to sneer at the Siegels, to marvel at their tackiness, to root for their fall from grace.- Austin Chronicle
- Posted Aug 1, 2012
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Matthew Monagle
With so many video game adaptations being little more than live-action fanfiction, Uncharted stands out by feeling like an actual movie, mostly eschewing fan service in favor of little organic beats between characters.- Austin Chronicle
- Posted Feb 17, 2022
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Reviewed by
Marrit Ingman
This moody Hong Kong thriller puts a stylish new spin on the old "Hands of Orlac" horror motif.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
It’s amazing what Yossi & Jagger does manage to relay in its brief time onscreen. And instead of melodrama and fireworks, the film goes the more difficult route of restraint and psychological tension.- Austin Chronicle
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Just when you're about to give up on this seemingly sorry excuse for an action movie, the picture does an about-face in a matter of minutes, and pushes the tension level way into overdrive and transforms suddenly into a solidly entertaining thriller.- Austin Chronicle
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Reviewed by
Jenny Nulf
When de Armas’ performance is given the space to be quiet and chilling, Blonde suddenly hits, and what once felt hollow feels painfully visceral.- Austin Chronicle
- Posted Sep 26, 2022
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Marjorie Baumgarten
A formulaic wedding comedy about mismatched families, but thanks to several appealing performances this rote exercise turns out better than most.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
A lightweight confection, this French import slides down easily even though it never truly satisfies.- Austin Chronicle
- Posted Apr 21, 2011
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Reviewed by
Marc Savlov
Diary of a Wimpy Kid: Dog Days is probably the most inoffensive kid's film you're likely to see this summer. And that's a good thing.- Austin Chronicle
- Posted Aug 1, 2012
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Reviewed by
Marc Savlov
Trite? Sure. Obvious? And then some. But a lesson to be taken to heart nonetheless.- Austin Chronicle
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Marjorie Baumgarten
The story excels in its portrait of obsessive love and desire. Where the tale falls down is in its portrait of two comrades in poetry, the writers who inspired each other to new levels of artistry and dwelled with the muses wherever they cohabited.- Austin Chronicle
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Reviewed by
Marc Savlov
At 134 minutes, Crazy Horse could have used some judicious editing, but that relatively minor quibble aside, it provides a revealing and intimate look (as if there could be any other kind) at an institution both familiar and utterly alien.- Austin Chronicle
- Posted Feb 29, 2012
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Reviewed by
Marjorie Baumgarten
Rich with technical strategies that enhance our view into Femi’s emotions, The Last Tree uses slow-motion, diffused sound, and many Spike Lee-like camera shots to make the story extremely personal and unique.- Austin Chronicle
- Posted Jul 16, 2020
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Reviewed by
Richard Whittaker
Often the discussion about a film is more interesting and worthwhile than the film itself, and that's why You Don't Nomi exists.- Austin Chronicle
- Posted Aug 23, 2020
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Reviewed by
Marrit Ingman
She's funny, she's feisty, she's a flabulous, fat-positive “fag hag,” and Margaret Cho isn't apologizing for any of it.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
This nature documentary about the vanishing lions of Africa is not your children's "Lion King."- Austin Chronicle
- Posted Mar 17, 2011
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Reviewed by
Marc Savlov
It ends up being a smashingly good and goofball history of the non-world of Canadian history and flim-flammery, deeply committed to its own colonial crazy.- Austin Chronicle
- Posted Nov 20, 2020
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Reviewed by
Richard Whittaker
The aliens look better than ever, Morgan delivers just the right kind of dry-witted action heroics, and Skylines takes the trip to the stars that the franchise has been promising.- Austin Chronicle
- Posted Dec 17, 2020
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Reviewed by
Marjorie Baumgarten
Although the movie's ecological message is dominant, it's not heavy-handed. Rather, the ecological warnings are tossed out with the same joie de vivre the Once-ler displays when tossing marshmallows to the bears.- Austin Chronicle
- Posted Feb 29, 2012
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Reviewed by
Matthew Monagle
As COVID-19 widens the gap between the rich and the poor in communities across the country, Cut Throat City’s institutional assault feels sadly timely.- Austin Chronicle
- Posted Jul 16, 2020
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Reviewed by
Kimberley Jones
The script also takes the occasional dip into hokeyness, but even that is buoyed by its ballsy leading ladies.- Austin Chronicle
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Marjorie Baumgarten
The final payoff is a good one and relates to something tossed out in the film's opening minutes. Still, this is middling Chabrol, not as tight and suspenseful as his best work.- Austin Chronicle
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- Austin Chronicle
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Reviewed by
Marc Savlov
It's a rich, humid mix of race, murder, and mystery that works well, even if it doesn't work perfectly.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
Schwarzenegger has probably never been better-cast.- Austin Chronicle
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Reviewed by
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- Critic Score
DiCillo's humorous insight into the post-modern culture manifests into vivid characterizations that are enhanced by credible cast performances.- Austin Chronicle
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Reviewed by
Richard Whittaker
In his debut feature as a director, The Valhalla Murders creator Thordur Palsson lets the icy-blue pitilessness of the inhospitable Westfjords permeate every frame and every moment.- Austin Chronicle
- Posted Jan 2, 2025
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Reviewed by
Marjorie Baumgarten
Viewers will find themselves well into this intriguing movie before they get a sense of what it's about and where it's going. And even then, they'll never correctly predict the film's outcome or foretell its bizarre ending.- Austin Chronicle
- Posted Feb 29, 2012
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Reviewed by
Marc Savlov
This up-from-the-fields slice of Tejano pride is a punchy, melodramatic piece of tried-and-true Americana that mixes cultures (and film genres) with an eye toward knocking down borders both cultural and contemporary.- Austin Chronicle
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Reviewed by
Marc Savlov
While much of the film is taken over by enormously entertaining dogfight sequences … much of it also rests on the narrative drive, which seems clipped part and parcel from one of those old “Why We Fight” documentaries that Frank Capra doled out to keep our G.I.s in fighting mode.- Austin Chronicle
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