Arizona Republic's Scores

  • Movies
  • TV
For 2,968 reviews, this publication has graded:
  • 62% higher than the average critic
  • 4% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 1.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 The Peanut Butter Falcon
Lowest review score: 10 The Legend of Hercules
Score distribution:
2968 movie reviews
  1. Unfortunately, screenwriter Christopher Bertolini has given Eckhart and Liebesman a story so riddled with war-movie cliches that it contains almost nothing else.
  2. There is a sort of unintentional campy fun to be had in places. Just don't go in expecting much, in other words, and perhaps you'll live happily ever after.
  3. Despite the silly-sounding premise, it's a wistful, bittersweet meditation on aging and death.
  4. It's funny enough, and Grace is an engaging actor, always making a good impression but never quite getting over the hump to become the star it seems like he ought to be.
  5. Ultimately it's not the lives of the characters that need adjusting here. It's the story itself.
  6. There is one good thing you can say about Beastly: The title perfectly sums up what you'll see on screen.
  7. It's refreshing to see an animated movie that doesn't look as though the idea for the Happy Meal came first.
  8. An epic film about Algeria's fight for liberation from France, with three outstanding performances and a grand, sweeping feel.
  9. Mean-spirited.
  10. A really entertaining effort, aided by some terrific performances.
  11. There are a couple of intriguing ideas floating around here and there, but that's all they do - float around, unmoored by any sense of reality and, thus, suspense.
  12. Like a good episode of "Smallville": You may feel a bit silly watching it if you're past high-school age, but you just might have a good time.
  13. It strains both credulity and patience in its attempt to be different, and it leaves you feeling creeped out as well.
  14. Just Go with It provides not only the title of the film but a one-step instruction for how best to enjoy it.
  15. The voices are outstanding; the story demands British accents, and with such people as Caine and Smith providing them, so much the better.
  16. The many battle sequences, though carefully detailed, are lacking in energy and originality. There is some ambition here, but the results fall short.
  17. Chomet's defiantly two-dimensional artwork is warm, inviting, beautiful, establishing immediately a comfort level, at least for audiences of, ahem, a certain age.
  18. What it has instead is really bad acting set against often-stunning cave-wall backdrops and underwater action sequences.
  19. Whatever it is, Giamatti finds it and sells it. And despite a few dead ends with the story, I'm buying.
  20. It's Bardem's portrayal of his search for those answers that drives Biutiful forward.
  21. Hafstrom creates a nice, creepy vibe, especially for the first part of the movie, which has a menacing atmosphere. Too bad he doesn't sustain it.
  22. The action is entertaining enough, and it's kind of fun to follow the intricate plotting and planning of the jobs.
  23. That's not a pretty story, of course. But it's a compelling one and, thanks to Wells and a cast that includes Ben Affleck, Tommy Lee Jones and Chris Cooper, an entertaining one.
  24. It leads exactly where we think it will on a sometimes funny, ultimately predictable, journey.
  25. The acting is uniformly terrific, just a marvel to watch.
  26. Once it's done, you feel terrible for these people, for their lives, for their daughter, especially. Is that entertainment? To each his own, but it is compelling and, yes, rewarding.
  27. The Green Hornet, which strives to be a different take on the superhero genre, is an interesting film - until it devolves into abject stupidity.
  28. There are a few big laughs, but there are also long stretches in which nothing funny happens.
  29. Coppola's audacity in not only portraying the unmoored nature of Marco's life but immersing the audience in it proves satisfying over time.
  30. Several good performances are left adrift, as the characters roam from scene to scene, singing (quite well) as they go. Even as a sort of long-form music video, it's disjointed.

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