Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 LANY
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 69 Metascore
    • 60 Critic Score
    Electrified certainly isn't the most original album you'll hear this year, but crunchy pop like this doesn't have to work very hard to impress the indie set. [Jul 2005, p.176]
    • Alternative Press
    • 70 Metascore
    • 80 Critic Score
    The most accomplished work of Grohl's post-Nirvana career. [Aug 2005, p.174]
    • Alternative Press
    • 81 Metascore
    • 80 Critic Score
    Damn odd. [Jul 2005, p.186]
    • Alternative Press
    • 78 Metascore
    • 100 Critic Score
    Everything's emotional whole is greater than the sum of its individual musical parts. [Aug 2005, p.176]
    • Alternative Press
    • 79 Metascore
    • 60 Critic Score
    Too many tunes struggle to remind listeners of their catchiness. [Aug 2005, p.166]
    • Alternative Press
    • 81 Metascore
    • 100 Critic Score
    Remarkably cohesive. [Aug 2005, p.176]
    • Alternative Press
    • 72 Metascore
    • 70 Critic Score
    Provides enough thrilling moments to make sense on or off the dancefloor. [Sep 2005, p.168]
    • Alternative Press
    • 64 Metascore
    • 80 Critic Score
    Don't Believe The Truth strips away the layered excess of albums like 1997's Be Here Now to revisit the streamlined pomposity of the group's earliest discs. [Jul 2005, p.182]
    • Alternative Press
    • 77 Metascore
    • 40 Critic Score
    There's nothing on Everything Ecstatic the likes of Madlib haven't already done better. [Jul 2005, p.186]
    • Alternative Press
    • 82 Metascore
    • 70 Critic Score
    The music is mostly an interesting hybrid of unlikely elements and naggingly catchy tunes. [Jul 2005, p.186]
    • Alternative Press
    • 88 Metascore
    • 100 Critic Score
    [They] clearly sound alive with the possibility of redefining punk song structure by writing 11-minute flamboyant guitar dirges that have as much in common with My Bloody Valentine as they do with '70s arena rock. [May 2005, p.170]
    • Alternative Press
    • 78 Metascore
    • 60 Critic Score
    May be the weirdest record Malkmus has made since Pavement's Wowee Zowee. [Jul 2005, p.174]
    • Alternative Press
    • 78 Metascore
    • 60 Critic Score
    Overall, the band seem to be running long on ambition and short on ideas. [Jul 2005, p.172]
    • Alternative Press
    • 73 Metascore
    • 80 Critic Score
    Typical electronic fare mixed with a captivating rock sensibility. [Jul 2005, p.186]
    • Alternative Press
    • 84 Metascore
    • 60 Critic Score
    Some of [Daniel's] stripped-down material sounds gaunt. [May 2005, p.166]
    • Alternative Press
    • 68 Metascore
    • 40 Critic Score
    Hal
    Doesn't make many lasting impressions. [Jul 2005, p.182]
    • Alternative Press
    • 74 Metascore
    • 60 Critic Score
    Considering how strong a songwriter Bazan has proved himself to be on the last few Pedro discs, the results here are mildly disappointing. [Jun 2005, p.164]
    • Alternative Press
    • 73 Metascore
    • 100 Critic Score
    This is a sensational place to get acquainted with the immortal wonder of drones. [Aug 2005, p.178]
    • Alternative Press
    • 80 Metascore
    • 80 Critic Score
    Exactly what you'd expect from the involved parties. [May 2005, p.138]
    • Alternative Press
    • 85 Metascore
    • 70 Critic Score
    Full of beautifully manicured pop that's often atmospheric and always dramatic, though it certainly wouldn't have hurt to toss in a few truly memorable choruses. [Jun 2005, p.164]
    • Alternative Press
    • 74 Metascore
    • 80 Critic Score
    The Raveonettes sound creatively liberated. [May 2005, p.174]
    • Alternative Press
    • 77 Metascore
    • 60 Critic Score
    Their uncalculated sound puts them a step above their shamelessly careerist peers like the Von Bondies. [Jul 2005, p.182]
    • Alternative Press
    • 79 Metascore
    • 80 Critic Score
    A grab bag of great ideas, instead of a truly great album. [Sep 2005, p.170]
    • Alternative Press
    • 78 Metascore
    • 40 Critic Score
    For the wide-awake, it's a crashing bore. [Aug 2005, p.164]
    • Alternative Press
    • 63 Metascore
    • 80 Critic Score
    A fine distillation of everything New Order have been. [May 2005, p.176]
    • Alternative Press
    • 85 Metascore
    • 100 Critic Score
    A devastatingly beautiful collection of songs, and in some circles, it could be the best album released this year. [May 2005, p.124]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    Plays out like a sequel to BF5's last album... with one key element missing: humor. [May 2005, p.172]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    Jayne shrouds his more subversive content in Laughter's Fifth's tambourine-tapping, upbeat numbers. [May 2005, p.164]
    • Alternative Press
    • 69 Metascore
    • 70 Critic Score
    If they don't make you get down, they'll certainly get your attention. [May 2005, p.124]
    • Alternative Press