Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 LANY
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 78 Metascore
    • 80 Critic Score
    Their songs have a weight beyond the bell and whistles, retaining your interest once the shock of new sounds and the novelty of genre-hopping is gone. [Apr 2008, p.152]
    • Alternative Press
    • 73 Metascore
    • 60 Critic Score
    Crystal Castles is gloriously danceable and hopelessly chic. But really, it's... hearing only...judging is... you know? [Apr 2008, p.162]
    • Alternative Press
    • 60 Metascore
    • 60 Critic Score
    Nothing on Sixes & Sevens quite lives up to the giddy brillance of the "Juno" soundtrack, but the music will still inspire you to draw hearts around your crush's name in your fifth-period notebook. [May 2008, p.134]
    • Alternative Press
    • 83 Metascore
    • 80 Critic Score
    Pretty awesome, seriously. [Apr 2008, p.153]
    • Alternative Press
    • 76 Metascore
    • 70 Critic Score
    It's not as groundbreaking as "Eyelash," but it's another small step in the group's constant evolution. [Apr 2008, p.163]
    • Alternative Press
    • 57 Metascore
    • 70 Critic Score
    JXL's enthusiastic proficiency is largely consistent throughout. [Apr 2008, p.162]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    Del wisely keeps things simple on the audio front, lubricating many of his basic, old-school beats with the good old P-Funk bottom of his early years. [Mar 2008, p.147]
    • Alternative Press
    • 83 Metascore
    • 80 Critic Score
    They're still crisp and cold--kind of like the Terminator--but somehow unlike Ahnuld, it's possible to hear a human heart beating within the steel. [May 2008, p.138]
    • Alternative Press
    • 68 Metascore
    • 90 Critic Score
    The proceedings sound loose, yet focused but never disappointing. [Apr 2008, p.160]
    • Alternative Press
    • 61 Metascore
    • 70 Critic Score
    The album's got its share of throwaways, but it's definately an artifact of a band reaching their peak. [Apr 2008, p.160]
    • Alternative Press
    • 80 Metascore
    • 90 Critic Score
    The lofty expectations are met in full with Saturnalia. [Apr 2008, p.160]
    • Alternative Press
    • 70 Metascore
    • 60 Critic Score
    The effortless pop smarts are appealing, but the Ruffians will need to vary the delivery if they're expecting a career. [Mar 2008, p.144]
    • Alternative Press
    • 70 Metascore
    • 80 Critic Score
    With Red Of Tooth And Claw they've finally realized the full potential they've been hinting toward all those years--and like all great stories, it's not always pretty. [Apr 2008, p.158]
    • Alternative Press
    • 69 Metascore
    • 90 Critic Score
    Decidedly mature and unapologetically soulful, Float is one of the most important records of this young year. [Apr 2008, p.148]
    • Alternative Press
    • 66 Metascore
    • 80 Critic Score
    The result is a beautiful collection of understated, orchestral roots rock that will enrapture both NPR and Pitchfork devotees. [Apr 2008, p.153]
    • Alternative Press
    • 77 Metascore
    • 50 Critic Score
    The album may have neen best served as an EP; it's an uneven mix of energetic jams and unfocused duds. [May 2008, p.132]
    • Alternative Press
    • 72 Metascore
    • 80 Critic Score
    The Raveonettes are suddenly noisier than old-school Sonic Youth and every bit as menacing as the Velevt Underground circa '68. [Mar 2008, p.145]
    • Alternative Press
    • 80 Metascore
    • 90 Critic Score
    The album doesn't have the reunion hype that helped make American Music Club's "Love Songs For Patriots" such an event. What it does have is songwriting. [Mar 2008, p.140]
    • Alternative Press
    • 74 Metascore
    • 90 Critic Score
    One day, Darnielle might make a sub-par Mountain Goats record. Pride certainly isn't it. [Apr 2008, p.152]
    • Alternative Press
    • 81 Metascore
    • 80 Critic Score
    Cox projects an otherwordly allure in his atmospheres and melodies that recall My Blood Valentine's recasting of rock as sound that prioritizes erotic texture and swoon-worthy levitation. [Mar 2008, p.140]
    • Alternative Press
    • 65 Metascore
    • 80 Critic Score
    'Slow Race' is an example of how, while moody, their soundscapes still rock and--unlike many of their pensive prog-oriented peers--feel more like songs than dissertations. [Mar 2008, p.140]
    • Alternative Press
    • 77 Metascore
    • 60 Critic Score
    It's smooth going down but lacks any real notable songs. [Apr 2008, p.153]
    • Alternative Press
    • 82 Metascore
    • 80 Critic Score
    The result is a vivid, nostalgic traipse into what good rock bands ought to sound like. [Mar 2008, p. 144]
    • Alternative Press
    • 51 Metascore
    • 80 Critic Score
    The release does establish Simple Plan as on e of the most consistent acts making music today. [Feb 2008, p.109]
    • Alternative Press
    • 78 Metascore
    • 90 Critic Score
    Dark is one of the first great records of 2008. [Mar 2008, p.146]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    Organically building upon thier contemplative-rock base, Lucky is full of intricate melodies and bridges, intense while at the same time awash with the delicate touch of human experience. [Mar 2008, p.144]
    • Alternative Press
    • 76 Metascore
    • 70 Critic Score
    The classic Mould you've sought is (mostly) back. [Mar 2008, p.145]
    • Alternative Press
    • 78 Metascore
    • 70 Critic Score
    Die! Die! Die! craft a rickety balance between cacophony and attractive post-punk melody. [Mar 2008, p.136]
    • Alternative Press
    • 70 Metascore
    • 50 Critic Score
    Falling Off The Lavender Bridge is a collection of alt-country songs that alternate between darkly funny and deathly serious, cleverly coy and crappily dull. [Mar 2008, p.140]
    • Alternative Press
    • 66 Metascore
    • 100 Critic Score
    The Mars Volta have created the first great record of 2008. [Mar 2008, p.145]
    • Alternative Press