Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 LANY
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 81 Metascore
    • 80 Critic Score
    He's aided in this task by Anticon genius Alias, who produced the entire record--his spastic, head-nodding beats are so good, that they occasionally overshadow the headliner. However, that's not due to any lack of talent on Dolan's part, who's on the top of his game throughout the disc.
    • 55 Metascore
    • 60 Critic Score
    The dozen synth-and-drum-machine-laden tracks that make up Hologram Jams range from percolating to breezy to nostalgic to inescapably annoying as hell. [Apr 2010, p.123]
    • Alternative Press
    • 69 Metascore
    • 80 Critic Score
    We Are Wolves', third album, Invisible Violence, features a bevy of captivating numbers and is a triumphant display of the Montreal trio's versatility. [Mar 2010, p.98]
    • Alternative Press
    • 76 Metascore
    • 90 Critic Score
    What ultimately makes Similes so wonderful is that with every listen it seems to peel away the world around you, immersing you in its warmth, and for 43 minutes, it makes it so hard to believe that everything that might be wrong in your life actually matters at all.
    • 70 Metascore
    • 70 Critic Score
    While This Addiction might not be perfect, it's a more than respectable entry into the band's already sizable canon, proving that though they may be in that rarified group of punk-rock lifers, Alkaline Trio aren't done evolving yet. [Mar 2010, p.89]
    • Alternative Press
    • 80 Metascore
    • 80 Critic Score
    The big hooks are fewer and further between, but the meat in the middle is where the real magic lies.
    • 71 Metascore
    • 80 Critic Score
    They may not be reinventing the wheel, but when a band play with this much riotous excitement, who needs reinvention? [Mar 2010, p.98]
    • Alternative Press
    • 80 Metascore
    • 80 Critic Score
    Bassist Jeff Matz and double-kickdrum killer Des Kensel flank Pike at every turn. The album-opening title track establishes a menacing, mathematical momentum, and the trio never falter.
    • 74 Metascore
    • 80 Critic Score
    Past Lives seem poised to avoid various aesthetic dead-ends and the subcultures that foment said traps. It's a trend for listeners to get behind. [Mar 2010, p.94]
    • Alternative Press
    • 89 Metascore
    • 90 Critic Score
    CIS convey aggression and energy through a maddening array of effects pedals and the haunting, grainy tenor of Kristain Hallbert's reverberating voice, combining to form corrosive anthems embellished by space and nuance. [Mar 2010, p.92]
    • Alternative Press
    • 72 Metascore
    • 60 Critic Score
    Lightspeed Champion somehow fail to generate the true emotional sentiment that was the crux of the artists he's drawing from...Hynes has matured, though. [Mar 2010, p.94]
    • Alternative Press
    • 65 Metascore
    • 60 Critic Score
    On The Constant, SOTY have shown they've mastered their current sound. Here's hoping for a little more experimentation next time. [Mar 2010, p.95]
    • Alternative Press
    • 60 Metascore
    • 80 Critic Score
    The record succeeds as its own body of work sans premise, thanks to Valdés' deft keyboards and arrangements (which gives the proceedings hues of '50s hits, '60s soul and breezy Euro-pop) and Argos' patented sincere-or-smarmy delivery (the thing that makes Art Brut so compelling).
    • 79 Metascore
    • 60 Critic Score
    So it is wuth British quintet Hot Chip, whose progression toward traditional songcraft has reached a satisfying plateau. [Mar 2010, p.94]
    • Alternative Press
    • 72 Metascore
    • 80 Critic Score
    Through it all, Massive Attack are more menacing than midnight in the darklands. Welcome back--you've been missed terribly. [Mar 2010, p.96]
    • Alternative Press
    • 61 Metascore
    • 70 Critic Score
    When the band are a little more concrete and less spooky, the results are especially compelling, but Screamworks is ultimately successful in its blending of melody and muscle. [Mar 2010, p.90]
    • Alternative Press
    • 60 Metascore
    • 60 Critic Score
    With a handful of vibrant songs that match either a late-night lounge vibe, or elevate their retro-country game, the album's only major flaw is forcing too many drastic costume changes on their angelic voices. [Mar 2010, p.98]
    • Alternative Press
    • 76 Metascore
    • 80 Critic Score
    Alongside Barthel's sweet kiss-off in "Mouthful Of Diamonds," Carter's tortured lead vocals on "You Are The Ocean" keep the rest of Eyelid Movies brimming with palpable sexual tension until the closing credits. There had better be a sequel. [Mar 2010, p.95]
    • Alternative Press
    • 75 Metascore
    • 70 Critic Score
    Although there;s wnough kicky keyboard-pop to satisfy long-time fans, the darker nuances are a welcome evolution. [Mar 2010, p.98]
    • Alternative Press
    • 69 Metascore
    • 80 Critic Score
    While storytellers has a decent amount of vocals, it's still the gorgeous, lush melodies and layered soundscapes that speak the loudest. [Mar 2010, p.90]
    • Alternative Press
    • 63 Metascore
    • 50 Critic Score
    The biggest problem on Hellbilly Deluxe 2 is that the campy B-movie samples and song titles like "Jesus Frankenstein" and "Werewolf, Baby!" come across as juvenile and lame. [Mar 2010, p.98
    • Alternative Press
    • 83 Metascore
    • 90 Critic Score
    Blackjazz, by contrast, is fierce and unrelenting, a slavering beast of an album with the complexity and dissonance of the Flying Luttenbachers and the head-down intensity of upstate New York ultra-power trio Borbetomagus.
    • 43 Metascore
    • 20 Critic Score
    For the most part, the album rehashes an overdone genre full of blustery, unoriginal, cryptic lyrics. [Mar 2010, p.94]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    The riff-roaring arena anthems "Racon Eyes" and "The Firebird" are among the most infectious tracks Priestess have ever written. Elsewhere, the band's retro-fuzz machinations don't fare so well. [Mar 2010, p.98]
    • Alternative Press
    • 75 Metascore
    • 80 Critic Score
    Romance may be boring, but this ambitious triumph is anything but. [Feb 2010, p.96]
    • Alternative Press
    • 82 Metascore
    • 80 Critic Score
    They occupy an ethereal wonderland of their own design on Teen Dream, a place where '80s soft rock mingles with slow-pop soliloquies, producing an oscillating, supernal bliss both sparkling and somber. [Feb 2010, p.92]
    • Alternative Press
    • 72 Metascore
    • 50 Critic Score
    Merritt's singularity just feels awkward, and Realism is another album in a catalog more concerned with quantity than quality.
    • 55 Metascore
    • 70 Critic Score
    Haters can hurl epithets toward Drew and NSN as much as they want, but the singer's sincerity simply cannot be denied.
    • 59 Metascore
    • 80 Critic Score
    Thanks to nuanced production by Flood and a dizzying array of synthesizer textures, In This Light & On This Evening is a resounding step forward for the British band. [Feb 2009, p.93]
    • Alternative Press