Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 LANY
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 65 Metascore
    • 60 Critic Score
    If Love Drunk's overall enthusiasm and high-energy pop doesn't win over even the snarkiest of reviewers after a few listens, then they probably don't have a heart. Everyone else will love it anyway. Pop-rock like this is popular for a reason.
    • 65 Metascore
    • 80 Critic Score
    Every song sounds like background music in an art-house film. [Apr 2006, p.207]
    • Alternative Press
    • 65 Metascore
    • 70 Critic Score
    While Pond reverts back to his laconic ways toward the album's end, the dazzling tracks leading us to that soft landing make up for the slight regression. [Mar 2013, p.92]
    • Alternative Press
    • 65 Metascore
    • 80 Critic Score
    Goofy out-of-time tunes. [Oct 2003, p.136]
    • Alternative Press
    • 65 Metascore
    • 60 Critic Score
    Occasional missteps keep X.O. Experience from being a bottle of the top-drawer stuff, though it'll still leave you with a good buzz. [Aug 2001, p.91]
    • Alternative Press
    • 65 Metascore
    • 50 Critic Score
    It lacks the spark of the band's classic catalog material. [Apr 2007, p.191]
    • Alternative Press
    • 65 Metascore
    • 70 Critic Score
    It's an engaging listen. [Mar 2009, p.107]
    • Alternative Press
    • 65 Metascore
    • 50 Critic Score
    They play things way too safe... which makes for a rather boring listening experience. [Mar 2007, p.142]
    • Alternative Press
    • 65 Metascore
    • 80 Critic Score
    Light years beyond any current dance-punk act. [Apr 2006, p.203]
    • Alternative Press
    • 65 Metascore
    • 80 Critic Score
    Both soothing and exhilarating. [Jan 2002, p.84]
    • Alternative Press
    • 65 Metascore
    • 60 Critic Score
    Boasts a sort of steady, creeping beauty, like a slower, groggier Failure without the loud arena bombast. [Nov 2001, p.97]
    • Alternative Press
    • 65 Metascore
    • 70 Critic Score
    He tweaks frequencies and shades his queasy bass lines like the Neptunes on a diet of Red Bull and espresso beans. [Jan 2003, p.100]
    • Alternative Press
    • 65 Metascore
    • 80 Critic Score
    Charging rock songs and austere balladry make this album resonate more than the morass of bad music currently plaguing us. [#155, p.80]
    • Alternative Press
    • 65 Metascore
    • 60 Critic Score
    An album that hangs together surprisingly well. [Oct 2002, p.90]
    • Alternative Press
    • 65 Metascore
    • 70 Critic Score
    This is a great record for staring out the window of a train on a sunny winter day. [Jan 2008, p.125]
    • Alternative Press
    • 65 Metascore
    • 60 Critic Score
    It makes for a fairly entertaining show if you're willing to put down your hot wings for a second to sep outside to watch. [Nov 2008, p.162]
    • Alternative Press
    • 65 Metascore
    • 70 Critic Score
    Enjoyable throughout. [Dec 2012, p.92]
    • Alternative Press
    • 65 Metascore
    • 50 Critic Score
    Secret Machines is a bit of a misstep, failing keep their languid, explorative tracks from growing dull. [Dec 2008, p.148]
    • Alternative Press
    • 65 Metascore
    • 80 Critic Score
    Like a primer in recent rock history. [Dec 2006, p.200]
    • Alternative Press
    • 65 Metascore
    • 50 Critic Score
    While Twelve's not an unlistenable record by any stretch of the imagination, it just begs the question: What's the point? [Jun 2007, p.158]
    • Alternative Press
    • 65 Metascore
    • 60 Critic Score
    On The Constant, SOTY have shown they've mastered their current sound. Here's hoping for a little more experimentation next time. [Mar 2010, p.95]
    • Alternative Press
    • 65 Metascore
    • 70 Critic Score
    It all works... simultaneously calling to mind Fall Out Boy and Franz Ferdinand. [May 2007, p.158]
    • Alternative Press
    • 65 Metascore
    • 60 Critic Score
    Sweet and insubstantial. [Nov 2004, p.140]
    • Alternative Press
    • 65 Metascore
    • 70 Critic Score
    They've beefed up their bombastic prog-rock guitars and grandiose, Teutonic synth motifs to new levels of virtuoso excess. [Feb 2004, p.93]
    • Alternative Press
    • 65 Metascore
    • 30 Critic Score
    Patton's latest fantasy-headache is a one-song, 55-minute conceptual misfire that careens from acid-casualty chamber music to high-velocity cartoon metal. [Feb 2004, p.82]
    • Alternative Press
    • 65 Metascore
    • 80 Critic Score
    Soul Punk is a brave, bold statement on which Stump asserts his individuality. [Aug 2011, p.111]
    • Alternative Press
    • 65 Metascore
    • 80 Critic Score
    'Slow Race' is an example of how, while moody, their soundscapes still rock and--unlike many of their pensive prog-oriented peers--feel more like songs than dissertations. [Mar 2008, p.140]
    • Alternative Press
    • 65 Metascore
    • 20 Critic Score
    Disastrous. [Oct 2004, p.144]
    • Alternative Press
    • 65 Metascore
    • 60 Critic Score
    Even if Oxeneers doesn't move you, it'll surely floor you. [Dec 2004, p.157]
    • Alternative Press
    • 65 Metascore
    • 60 Critic Score
    It all boils down to the simple question of which songs grab you, so there are certainly reasons to give Appeal a whirl and decide for yourself. [Nov 2008, p.151]
    • Alternative Press