Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 LANY
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 76 Metascore
    • 80 Critic Score
    The upscale bars and clubs of the world will undoubtedly toast these two for The Mirror Conspiracy, and you should, too. [#147, p.110]
    • Alternative Press
    • 79 Metascore
    • 80 Critic Score
    You appreciate his delightful little melodies and quirky rhythmic tics more because you have to strain to hear 'em. [Aug 2003, p.110]
    • Alternative Press
    • 86 Metascore
    • 80 Critic Score
    An intriguing debut. [Nov 2003, p.108]
    • Alternative Press
    • 73 Metascore
    • 80 Critic Score
    Quite an impressive start. [Aug 2006, p.206]
    • Alternative Press
    • 72 Metascore
    • 80 Critic Score
    Hill's first solo outing is a 450 bpm bonanza with 13 tracks of slasher-jazz that are surprisingly catchy and cohesive. [Sep 2008, p.162]
    • Alternative Press
    • 67 Metascore
    • 80 Critic Score
    Although the music and lyrical content are more mature, what hasn’t changed is the familiar empathetic thrill of Carabba’s songwriting.
    • 84 Metascore
    • 80 Critic Score
    Rarely can sheer, brute force from a pair like Miller and Krauss make everything that comes afterward seem so irrelevant.
    • 76 Metascore
    • 80 Critic Score
    The results are understated, heartbreaking and quietly intoxicating. [Oct 2003, p.124]
    • Alternative Press
    • 75 Metascore
    • 80 Critic Score
    Rot Gut, Domestic's melodies are still strong, but Edward's world-weary tenor to the bedeviled characters and prickly distortion, anxiety rules. [Apr 2012, p.96]
    • Alternative Press
    • 59 Metascore
    • 80 Critic Score
    Thanks to nuanced production by Flood and a dizzying array of synthesizer textures, In This Light & On This Evening is a resounding step forward for the British band. [Feb 2009, p.93]
    • Alternative Press
    • 71 Metascore
    • 80 Critic Score
    Should you find yourself craving the fleeting rush of a dark, well-crafted pop song, Cuts Across The Land does wonders for, well, the spirit. [May 2006, p.176]
    • Alternative Press
    • 71 Metascore
    • 80 Critic Score
    Exactly what you'd imagine. [Sep 2005, p.170]
    • Alternative Press
    • 65 Metascore
    • 80 Critic Score
    Stellar. [May 2006, p.176]
    • Alternative Press
    • 66 Metascore
    • 80 Critic Score
    The result is a heavy batch of driving tunes worthy of each member's origin stories. [Feb 2017, p.80]
    • Alternative Press
    • 76 Metascore
    • 80 Critic Score
    Though written and recorded quickly, it's hard to imagine how these tracks could have been improved on, as they effortlessly cover a wide musical expanse. [Jan 2008, p.124]
    • Alternative Press
    • 75 Metascore
    • 80 Critic Score
    Sonically spacious and spontaneous, Rose City is an endlessly tuneful bouquet of beaty. [Jun 2009, p.102]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    His arrangements are floral and handcrafted and warm. [May 2004, p.102]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    Hesitation Marks, the new album from Nine Inch Nails, is both business as usual and remarkably prescient.
    • 80 Metascore
    • 80 Critic Score
    It's only the countrified twang of the Promise Ring's "Forget Me"--which should be the most emo song here--that doesn't really work. Everything else is delightful and, naturally, delightfully sad. [Jan 2015, p.94]
    • Alternative Press
    • 79 Metascore
    • 80 Critic Score
    If you're looking for a little warm blood pumping through the veins of your dance music, as opposed to the droning and repetitive beat sketches plaguing a lot of the genre, this is just about ideal. [May 2008, p.146]
    • Alternative Press
    • 71 Metascore
    • 80 Critic Score
    Page Hamilton and Co. show more growth than they have in nearly two decades. And damn, they still have it when it comes to riffs. [Dec 2016, p.102]
    • Alternative Press
    • 64 Metascore
    • 80 Critic Score
    Taking Back Sunday should be commended, not for just choosing not to rehash their older work, but for truly trying to branch out artistically--and succeeding most of the time. [May 2006, p.155]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    Dulli is in peak form here. [Jul 2006, p.194]
    • Alternative Press
    • 75 Metascore
    • 80 Critic Score
    The band come up with hooks aplenty, delivering anti-pop gold on the guaranteed-to-disappoint-no-one Expo 86. [Aug 2010, p.156]
    • Alternative Press
    • 75 Metascore
    • 80 Critic Score
    True North is an engaging return to form. [Feb 2013, p.88]
    • Alternative Press
    • 80 Metascore
    • 80 Critic Score
    There Is A Hell is an impressive and ambitious third effort that proves these Brits have staying power. [Nov 2010, p.109]
    • Alternative Press
    • 74 Metascore
    • 80 Critic Score
    It sounds like, well, another solid Mission Of Burma record. [Nov 2009, p.110]
    • Alternative Press
    • 66 Metascore
    • 80 Critic Score
    A dense, diverse, and sometimes dauntingly complex double CD. [Dec 2001, p.78]
    • Alternative Press
    • 75 Metascore
    • 80 Critic Score
    An exhilarating album... [March 2001, p.88]
    • Alternative Press
    • 75 Metascore
    • 80 Critic Score
    Drug Church will likely be off-putting for some with weaker aural constitutions, but if you can get over the fact that a skinny, weird-looking guy is yelling at you about nothing in particular, you’re gonna love this.