Filled with casually brilliant moments, Component System with the Auto Reverse is easily one of Open Mike Eagle's most enjoyable efforts.

Even if The Will to Live ultimately proves the old adage that you can't will a masterpiece into existence, what's here is the work of a great band with a fine songwriter giving their all in the studio and playing at the top of their game, and that makes it a great listen, if not quite an example of Ultimate Rock.

On The Bible, Kurt Wagner bravely steps into new territory both musically and lyrically, and it's a beautiful and frequently moving experience.

Lo is maturing but holding onto the most important parts of herself. Dirt Femme gives the confessional, sexual, and danceable sides of her music equal time and offers a fuller portrait of her music than we've heard before.

With Being Funny in a Foreign Language, Healy and the 1975 do seem to have matured, confidently jumping off the ropes and back into the center of the pop music ring.

Like its sibling Unlimited Love, Return of the Dream Canteen benefits from the positive energy of these four friends just having fun in the studio, and is designed for listeners to plug in and bliss out without any expectations of mainstream-ready fare.

King Gizzard are restless and brilliant and listeners must follow everything they do like a hawk because they might unleash something classic, just like they did with Ice, Death, Planets, Lungs, Mushrooms and Lava.

With ¡Ay!, Dalt succeeds at constructing and exploring an elaborate sound world that resembles a surreal reflection of her past.

While some of the record's lyrics are lost in ambiance, Ballentine's ethereal vocals are a key component of an artful sound design that, like a movie, is optimized in its full-length context.

One of Eno's most sobering releases, FOREVERANDEVERNOMORE is a cautious reflection on the state of our planet and its future.

Nymph isn't exactly the type of album full of bangers that one might have previously expected from Shygirl, but it reveals a greater depth to her personality, and it's consistently inventive and awe-inspiring.

A like-minded, generally uplifting, uptempo set (this time comprising a still generous 12 songs).

Well-sequenced and brimming with heartfelt energy, Capricorn Sun is an inspired effort.

Although Sparke thrives in quieter surroundings, her voice is capable of commanding this more confrontational material, if made slightly less distinctive in the process.

CHAOS NOW* is defined not just by Dawson's genre hopscotching, but by how he manages to make every new style he inhabits his own. His music has always been a little all over the place, and with the increasingly strong songwriting showcased here, it becomes clear that being all over the place is the entire point of Dawson's restless artistry.

Tableau is definitely the work of a young band growing and exploring, looking for new territory to explore, new feelings to delve into, and exciting sounds to dig into.

Strange is a rare talent with a multi-tooled approach that encompasses thoughtful songwriting, surprising arrangements, and a sonically layered production aesthetic that feels both original and understated.

As bleak as In Amber can be, it's as thrilling to hear such unguarded yet exquisitely crafted confessions from Hercules & Love Affair as it was to have them transport listeners to dance floor nirvana.

With Empire Central, Snarky Puppy transform the Dallas music and culture that inspired them into a tangible listening experience.

Though Loose Future lacks a bit of the grand-scale drama of Honest Life and Old Flowers, it's full of well-crafted songs performed with the skill and passion they deserve, and it's another worthy album from a songwriter who only gets better as she matures.

If Forever Blue was a great debut, As the Moon Rests is a very good follow-up, and leaves no doubt that A.A. Williams is a remarkable talent who is still honoring her singular vision.

Too many of these melodies are similar enough that they're indistinguishable from one another. On balance, jams such as "Outer Heaven," "Impermanence," and "Vendetta X" solidly reveal that this band still has plenty of creative dazzle left in the tank.

It may be a bit disjointed, but Into the Blue offers enough thoughtful songwriting and creative sonics to suggest Broken Bells has matured into the pleasantly offbeat side project it was always meant to be.

The creation of Blue Rev may have been beset with trial and tribulation but the result is a heavenly indie pop hit guaranteed to make their already besotted fans fall even more head over heels in love with the band.

Revitalized, Bush is reborn with The Art of Survival, an essential late-catalog installment that re-energizes their sound with fresh tricks and newfound purpose.

Charlie offers hope to both the singer and to sympathetic listeners, closing this very relatable chapter of his life with optimism hard-won through this catchy pop package.

The last time Suede sounded this muscular and urgent they were still in the process of discovering themselves. Here, the quintet know how to deploy not just their strengths but their distinctive blend of nervy post-punk, overheated glam, and yearning poetry to make an album that sounds full, complete, and utterly alive.

The End, So Far may not be a home run, but it proves that the band are still in it to win it, even if they're playing the long game.