Though it's only a lean 40-minutes long, Harverd Dropout feels like it lasts forever, losing its shine quickly as Pump runs in place, futilely reaching for the personality that made him a star.

It's Pond's personality that shines brightest on Tasmania, and they've turned these songs into an off-kilter gem that's worth exploring.

Thanks to Ex Hex's sheer commitment to their rock & roll fantasies, It's Real never feels less than genuine.

With Pony, Orville Peck could probably get over on sheer audacity, but his talent is as impressive as his ideas are smart and unexpected, and this is one of the best and most fascinating debuts from an alt-country adjacent artist in a very long time.

Plastic Anniversary is both relevant to its time and another well-conceived, thought-provoking chapter in their long-running career.

Like Lambchop's best work, This (Is What I Wanted to Tell You) takes the listener someplace they haven't been before, and in this case that includes the fictive homelands of Nixon and Mr. M, but it's also a place worth visiting.

Taken as a whole, Doko Mien is two things at once: An assertive collection of forceful dance tunes that defies listeners to sit still, and the most sonically ambitious offering in Ibibio Sound Machine's catalog.

Anyone over the age of 40 should recognize most of what they're singing about, and even if you don't, the sweeping melancholy and epic presentation should be enough to make this deep dive into relaxed angst a journey worth taking for the third time.

Even though Gathered is very much a creative patchwork, it coheres thematically as well as musically, and sounds both sly and sincere. Howe Gelb's evolution from the most distinctive roots rocker in the desert to Arizona's most unlikely lounge singer is coming along nicely, and Gathered is a welcome addition to his catalog.

Illegal Moves is another strong chapter of Sunwatchers' unique voice and probably their most clear-minded presentation of their collective powers to date.

Here he emphasizes how he's absorbed those sounds and styles, turning them into something idiosyncratic and distinctive. This unadorned setting shifts attention not just to Snider's verbal wit but to his sly phrasing: "Working on a Song" and "Talking Reality Television Blues" find him setting up punch lines only to deliver them in unexpected ways.

Cows on Hourglass Pond is an uncluttered and beautifully direct reading of Portner's always-opaque songwriting. The best tracks are among his strongest and the entire record finds Portner opening up the gates of noise and abstraction that can cloud his productions just enough for listeners to get a better look at his mysterious but friendly world as it evolves.

Less immediate than its predecessor, Let's Try the After still manages to engage the listener with its innovative instrumentation and serpentine melodies, and as a bite-sized sampler of where the band is headed, it more than suffices.

Yanya covers a wide breadth of styles and emotions here and even if it all doesn't hang together perfectly, Miss Universe is a fascinating debut that is reflective of the pressures we place on ourselves and others which all too often result in a striving but imperfect mess.

When the album closes with the lucid "Song After Song" ("Song after song after song all about me and my misery..."), it's a touching, unexpectedly hummable end to a set that's intricate yet understated, and sad yet comforting.

Over a decade into their career, These New Puritans continue to defy expectation or catagory, making a significant event out of each release.

It took some goading from My Morning Jacket members Carl Broemel, Bo Koster, Patrick Hallahan, and Tom Blankenship, who also serve as the backup band, but Showalter found his voice again, and the resulting 11-track set strikes a winning balance between dusty, soul-bearing Midwest folk and sanguine heartland rock.

Significant Changes is a superb album which balances a concern for the planet with a shameless urge to have fun, all representing a sincere, unconquerable love of life.

Dense and nearly overwhelming at times but always following a linear progression, ATAXIA is an exciting, challenging release which charts an advanced evolution of dance culture.

Lattimore's tranquil and introspective playing guides the duo's meditations to some of the same cosmic zones as her solo work. The combination of the two personalities results in a beautifully troubled unfurling, one that offers quiet comfort in its moments of both darkness and light.

Without taking a breath or leaving room to rest, Only Things We Love throbs and pulses its way through the shadows, a hook-heavy romp for dance-loving misfits.

Combining the no-rules ethos of the noise scene with the technical precision of metal results in a sound that coveys its punishing statements without sacrificing musicality and, indeed, exists as an artistic embodiment of off-the-charts anxiety.

It's just one rock-solid blast after another, each one showcasing the involved parties at their sharpest and mightiest.

American Love Call is the first album this band has recorded in a proper studio, and though the production is cleaner and the arrangements are more ambitious than those on their self-titled 2016 debut, the addition of strings and horns don't clutter the surroundings and instead refine and focus the sound of a band that already had a good thing going.

When "Nox Lumina" closes the album by bringing it full circle, it reaffirms that Lux Prima is the sophisticated, sonically adventurous album Karen O deserves to make at this point in her career.

Even though Punk might not be the pop explosion that Pink was, it's a well-rounded album that capitalizes on the band's imagination and capacity for experimentation while blending the sounds more organically. Plus, it's more fun than just about anything else going on in the late 2010s and that alone makes the record and the band worth checking out and falling (and staying madly) in love with.

To Believe is very much an experience that requires engagement if a worthwhile connection is desired; otherwise, it makes for a terrific soundtrack to a film that resides purely in the soul.

Trust in the Lifeforce of the Deep Mystery is urgent, sophisticated, and humorous. It actually delivers the music of tomorrow via the traditions of past and present; it's a convulsive exercise in the articulation of inner and outer space.