AllMusic's Scores

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For 18,344 reviews, this publication has graded:
  • 63% higher than the average critic
  • 5% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 The Marshall Mathers LP
Lowest review score: 20 Graffiti
Score distribution:
  1. Positive: 15,386 out of 18344
  2. Mixed: 2,932 out of 18344
  3. Negative: 26 out of 18344
18344 music reviews
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    • 53 Metascore
    • 30 Critic Score
    Faith
    With friends and collaborators surgically removed, Faith is littered with jarring voices, avaricious creative decisions, and a fundamental sidelining of its visionary figurehead.
    • 46 Metascore
    • 30 Critic Score
    The Death of Slim Shady (Coup de Grâce)
    For the most part, however, The Death of Slim Shady is a bewildering slog to get through. The general concept gets old almost immediately, and from there we're left with a painful lack of new ideas
    • 39 Metascore
    • 30 Critic Score
    Vultures 2
    Flat and unbelievable, Vultures 2 makes so little impact it's forgotten almost the moment it's over.
    • 37 Metascore
    • 30 Critic Score
    143
    143 rings the death knell for Perry for no other reason than it commits pop music’s ultimate sin: it’s boring.
    • 56 Metascore
    • 30 Critic Score
    lost americana
    An album of big alternative pop tracks which are confused, confusing, and impressively hard to enjoy.
    • 15 Metascore
    • 20 Critic Score
    Playing With Fire
    The worst thing about Playing with Fire is that it's too stale and inept to inspire laughter: it can only elicit weary groans.
    • 39 Metascore
    • 20 Critic Score
    Graffiti
    Brown clumsily emphasizes womanizing and hedonism and balances it out with a couple clean and empty ballads. Out of this portion of the album, only a couple songs leave a lasting impression, and when they do, the silly things that come out of Brown’s mouth tend to be the reason.
    • 42 Metascore
    • 20 Critic Score
    Spider-Man: Turn Off the Dark
    Even within the framework of a musical these songs are a murky, turgid mess, too concerned with atmosphere and narrative to reel in a listener and ironically not offering ambience or story enough to suggest that the musical would entertain.
    • 35 Metascore
    • 20 Critic Score
    The Truth Is...
    This isn't ugly visceral music; it's castrated rock with a rotten heart.
    • 37 Metascore
    • 20 Critic Score
    I'm Back! Family & Friends
    As songs, these are not outright disasters -- they're not bad evocations of post-Riot funk -- but they're saddled with the same awful production that hobbles the re-creations, the same sticky, tacky, desperate replication of the past that only underscores just how long ago Sly's golden years were.
    • 56 Metascore
    • 20 Critic Score
    Montage Of Heck: The Home Recordings
    Montage of Heck largely doesn't consist of early drafts; it consists of scrawls waiting to be turned into a first draft. While that's interesting for a while, at a certain point--and it arrives rather quickly--the fascination curdles and it's hard not to feel unclean, as if you're snooping through your beloved brother's desk.
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