AllMusic's Scores
- Music
For 18,337 reviews, this publication has graded:
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63% higher than the average critic
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5% same as the average critic
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32% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Music review score: 74
| Highest review score: | The Marshall Mathers LP | |
|---|---|---|
| Lowest review score: | Graffiti |
Score distribution:
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Positive: 15,380 out of 18337
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Mixed: 2,931 out of 18337
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Negative: 26 out of 18337
18337
music
reviews
- By Date
- By Critic Score
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- Critic Score
While it isn't all great, most of it is, and while this isn't the best way for newcomers to acquaint themselves with Fela Kuti's music, it is an essential document for fans.- AllMusic
- Posted May 17, 2012
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- Critic Score
From the first notes of their sophomore LP Dismania, the grime, depravity, desperation, and sometimes fun of [New York City] come through in screaming waves.- AllMusic
- Posted May 17, 2012
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- Critic Score
The 13 tracks on Caravana Sereia Bloom reveal an artist who is pushing the envelope of MPB, and is taking no prisoners in the process.- AllMusic
- Posted May 16, 2012
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- Critic Score
On its face, this album is intended for adventurous listeners who enjoy exploring the classical avant-garde, though deeper investigation may attract others interested in sound sculptures, noise studies, and electronica, who can appreciate the atmospheric colors and shimmering sonorities of these modern masterworks.- AllMusic
- Posted May 16, 2012
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- AllMusic
- Posted May 15, 2012
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- Critic Score
This is a stronger, more mature, and more effective work than one might have expected.- AllMusic
- Posted May 15, 2012
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- Critic Score
True works as a whole and creates an unbroken mood and feel that is both nocturnal and strangely uplifting.- AllMusic
- Posted May 15, 2012
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- Critic Score
All Our Reasons is wonderfully executed, and full of excellent tunes, nice improvisational turns, numerous surprises (many of them subtle), and a warm, lively sense of engagement throughout.- AllMusic
- Posted May 15, 2012
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- Critic Score
Hardcore Joplin fans and historians have an excellent retrospective package which, while illuminating the process of the creation of Pearl, doesn't replace it in the canon.- AllMusic
- Posted May 15, 2012
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- Critic Score
This feels modern but in a distinctly '90s fashion: the melds and mashups of club music and psychedelia forecast a future straight out of 1996.- AllMusic
- Posted May 14, 2012
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- Critic Score
Raw but accomplished, tuneful yet noisy, on In the Belly of the Brazen Bull the Cribs are more comfortable with their contradictions than ever.- AllMusic
- Posted May 14, 2012
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- Critic Score
Even if these songs never grace the charts, they sound like inevitable hits and prove that Lambert is a genuine pop star who has now left American Idol far behind.- AllMusic
- Posted May 14, 2012
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- AllMusic
- Posted May 11, 2012
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- Critic Score
Ufabulum rises out of the muddle of curious decisions on the several albums before it, offering a true-to-form Squarepusher experience more diverse and ornate than almost any before it.- AllMusic
- Posted May 10, 2012
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- Critic Score
Biokinetics is a stunning summation of the Basic Channel aesthetic.- AllMusic
- Posted May 10, 2012
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- Critic Score
Its sly, delicately textured rewards are ones to appreciate and ponder, not to cherish.- AllMusic
- Posted May 10, 2012
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- Critic Score
While it doesn't quite live up to their early hype, it's still an encouraging first offering, suggesting that they might do with album number two.- AllMusic
- Posted May 9, 2012
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- Critic Score
They remain faithful to the New Orleans musical ideal in the sense that they turn everything they play into celebratory party music.- AllMusic
- Posted May 9, 2012
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- Critic Score
City Awakenings feels like it belongs to the short-lived era when Travis were the biggest band in Britain, but it's still a charming return from one of Scottish pop's unsung heroes.- AllMusic
- Posted May 9, 2012
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- Critic Score
[The last] three songs better illustrate what Kwes. is capable of as a producer and musician, falling somewhere between Thundercat and James Blake, in a cool blend of downtempo, dubstep, and R&B.- AllMusic
- Posted May 9, 2012
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- Critic Score
If you think that the "rock" part of "indie rock" has been dying a slow death, look to Screaming Females as your lighthouse during these dark, guitar-less times and rejoice as you air shred along with all that Ugly has to offer.- AllMusic
- Posted May 9, 2012
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- Critic Score
Without jettisoning the basic stylistic minimalism and scarcity of artistic means which makes footwork such a thrillingly raw, blunt, and immediate form, Traxman manages to subtly expand and redefine the possibilities of the genre.- AllMusic
- Posted May 9, 2012
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- Critic Score
An EP might have worked, but apparently Grinderman had to milk it for all it was worth.- AllMusic
- Posted May 9, 2012
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- AllMusic
- Posted May 9, 2012
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- Critic Score
Suckers have turned in a respectable album of big sounds and strong melodies.- AllMusic
- Posted May 9, 2012
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- Critic Score
The majority of the album places Actress closer to the superbly creative, evocative, and mind-altering terrain inhabited by Oneohtrix Point Never, with detectable traces of early-'80s Roedelius and Moebius, as well as Autechre.- AllMusic
- Posted May 9, 2012
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- Critic Score
Aufheben's shining moments are the most daring ones, and are also surprisingly sweet.- AllMusic
- Posted May 9, 2012
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- Critic Score
By employing hard-rocking, sometimes spacey psychedelia (gloriously) to express the anger he feels as he watches the hard-won gains of history being damaged and destroyed in unsavory ways, Hawley creates an essential listen.- AllMusic
- Posted May 9, 2012
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- AllMusic
- Posted May 9, 2012
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- Critic Score
Definitely an album that's worth listening to on repeat, not only out of necessity, but because it's a refreshingly simple, straightforward album in an increasingly processed and affected era.- AllMusic
- Posted May 9, 2012
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