AllMusic's Scores

  • Music
For 18,337 reviews, this publication has graded:
  • 63% higher than the average critic
  • 5% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 The Marshall Mathers LP
Lowest review score: 20 Graffiti
Score distribution:
18337 music reviews
    • 77 Metascore
    • 70 Critic Score
    While it isn't all great, most of it is, and while this isn't the best way for newcomers to acquaint themselves with Fela Kuti's music, it is an essential document for fans.
    • 73 Metascore
    • 70 Critic Score
    From the first notes of their sophomore LP Dismania, the grime, depravity, desperation, and sometimes fun of [New York City] come through in screaming waves.
    • 70 Metascore
    • 80 Critic Score
    The 13 tracks on Caravana Sereia Bloom reveal an artist who is pushing the envelope of MPB, and is taking no prisoners in the process.
    • 74 Metascore
    • 80 Critic Score
    On its face, this album is intended for adventurous listeners who enjoy exploring the classical avant-garde, though deeper investigation may attract others interested in sound sculptures, noise studies, and electronica, who can appreciate the atmospheric colors and shimmering sonorities of these modern masterworks.
    • 85 Metascore
    • 80 Critic Score
    Revolutionary stuff and absolutely no fluff, R.A.P. Music is outstanding.
    • 65 Metascore
    • 70 Critic Score
    This is a stronger, more mature, and more effective work than one might have expected.
    • 74 Metascore
    • 80 Critic Score
    True works as a whole and creates an unbroken mood and feel that is both nocturnal and strangely uplifting.
    • 85 Metascore
    • 80 Critic Score
    All Our Reasons is wonderfully executed, and full of excellent tunes, nice improvisational turns, numerous surprises (many of them subtle), and a warm, lively sense of engagement throughout.
    • 84 Metascore
    • 90 Critic Score
    Hardcore Joplin fans and historians have an excellent retrospective package which, while illuminating the process of the creation of Pearl, doesn't replace it in the canon.
    • 72 Metascore
    • 60 Critic Score
    This feels modern but in a distinctly '90s fashion: the melds and mashups of club music and psychedelia forecast a future straight out of 1996.
    • 69 Metascore
    • 80 Critic Score
    Raw but accomplished, tuneful yet noisy, on In the Belly of the Brazen Bull the Cribs are more comfortable with their contradictions than ever.
    • 66 Metascore
    • 80 Critic Score
    Even if these songs never grace the charts, they sound like inevitable hits and prove that Lambert is a genuine pop star who has now left American Idol far behind.
    • 70 Metascore
    • 60 Critic Score
    An appealingly misshapen collection of classics, contemporaries, and originals.
    • 70 Metascore
    • 80 Critic Score
    Ufabulum rises out of the muddle of curious decisions on the several albums before it, offering a true-to-form Squarepusher experience more diverse and ornate than almost any before it.
    • 93 Metascore
    • 100 Critic Score
    Biokinetics is a stunning summation of the Basic Channel aesthetic.
    • 60 Metascore
    • 60 Critic Score
    Its sly, delicately textured rewards are ones to appreciate and ponder, not to cherish.
    • 80 Metascore
    • 70 Critic Score
    While it doesn't quite live up to their early hype, it's still an encouraging first offering, suggesting that they might do with album number two.
    • 72 Metascore
    • 70 Critic Score
    They remain faithful to the New Orleans musical ideal in the sense that they turn everything they play into celebratory party music.
    • 70 Metascore
    • 70 Critic Score
    City Awakenings feels like it belongs to the short-lived era when Travis were the biggest band in Britain, but it's still a charming return from one of Scottish pop's unsung heroes.
    • 67 Metascore
    • 50 Critic Score
    [The last] three songs better illustrate what Kwes. is capable of as a producer and musician, falling somewhere between Thundercat and James Blake, in a cool blend of downtempo, dubstep, and R&B.
    • 83 Metascore
    • 80 Critic Score
    If you think that the "rock" part of "indie rock" has been dying a slow death, look to Screaming Females as your lighthouse during these dark, guitar-less times and rejoice as you air shred along with all that Ugly has to offer.
    • 79 Metascore
    • 80 Critic Score
    Without jettisoning the basic stylistic minimalism and scarcity of artistic means which makes footwork such a thrillingly raw, blunt, and immediate form, Traxman manages to subtly expand and redefine the possibilities of the genre.
    • 63 Metascore
    • 50 Critic Score
    An EP might have worked, but apparently Grinderman had to milk it for all it was worth.
    • 80 Metascore
    • 80 Critic Score
    Hair represents the best possible outcome of the collaborative record.
    • 67 Metascore
    • 70 Critic Score
    Suckers have turned in a respectable album of big sounds and strong melodies.
    • 81 Metascore
    • 90 Critic Score
    The majority of the album places Actress closer to the superbly creative, evocative, and mind-altering terrain inhabited by Oneohtrix Point Never, with detectable traces of early-'80s Roedelius and Moebius, as well as Autechre.
    • 73 Metascore
    • 80 Critic Score
    Aufheben's shining moments are the most daring ones, and are also surprisingly sweet.
    • 77 Metascore
    • 80 Critic Score
    By employing hard-rocking, sometimes spacey psychedelia (gloriously) to express the anger he feels as he watches the hard-won gains of history being damaged and destroyed in unsavory ways, Hawley creates an essential listen.
    • 69 Metascore
    • 80 Critic Score
    Neck of the Woods is an even more infectious and nuanced affair.
    • 75 Metascore
    • 90 Critic Score
    Definitely an album that's worth listening to on repeat, not only out of necessity, but because it's a refreshingly simple, straightforward album in an increasingly processed and affected era.