Although it doesn’t break new ground and isn’t always as user friendly as it should be, Amenti is a well-crafted exploratory horror experience that delivers solid thrills and enjoyable gameplay.

The equally stunning sequel to Planet of Lana takes the series a few steps forward, a few steps back, finishing largely where it started.

Once Upon a Puppet is an often delightful, sometimes frustrating, digital puzzle-platforming puppet show that engages with its premise in smart ways. The world built here is truly something to behold, and with just a little more rehearsal, this would have been a must-see performance.

While a few questionable design choices and derivative character art keep it from achieving true greatness, Creepy Tale 3: Ingrid Penance is nonetheless a solidly eerie, atmospheric and challenging adventure.

Playing with anthropomorphic stickers on a sticker book using stickers to solve sticky situations is a can’t-miss premise. While A Tiny Sticker Tale will surely be too simple to appeal to everyone, and the story could have been more robust, younger kids should love it and it has enough charm and satisfying puzzles to ensure a joyful few hours for just about anyone.

Rauniot is the full post-apocalyptic experience, for better and worse. The story is slight but delicately layered, the detailed isometric graphics are gorgeous in a very monochrome kind of way, and the soundscape really rams home the feeling of remote isolation. The characters too, in their quiet endurance and occasional dark humour, are more affecting than if they had screamed or sobbed. The practical challenges you face are also reasonable and logical, even if finding the items you need can be tricky. If you're a fan of Fallout or Mad Max-style sci-fi, though, and you're interested in something a little off the beaten track, it could be exactly what you're looking for. Just be sure to pack plenty of dog food and watch out for tripwires!

While non-Trekkies and puzzle lovers may find Star Trek: Resurgence less appealing, franchise fans looking to simply dive into another fine story in this expansive universe will not be disappointed.

Though the story of No Sleep For Kaname Date is pared down and the psync segments are still as frustrating as ever, the first Somnium Files game not written by Uchikoshi is still an enjoyable romp thanks to its added escape room gameplay and sense of humor.

Planet of Lana breaks no new ground, but it’s a beautiful and frequently captivating sci-fi puzzle-platforming experience.

DE-EXIT is an ambitious and mostly well-crafted adventure, with great puzzle design, charming visuals, and an immersive cinematic flair. Not all of its ideas play out equally well, and a slow first half combined with minor technical issues make it a bit hard to break into, but those who stick with it until the end won’t regret the effort.

Lil’ Guardsman is a silly, high-fantasy take on Papers, Please that mixes deductive gameplay with goblins and wizards – what more could you want? Well, a tighter story with more consistent quality would have been great, but the end result is still very much worth playing for comedy fans.

It’s not as open-ended as other narrative RPGs and lacks a believable ending, but Rue Valley has an appealing graphic novel aesthetic and engagingly human time-looping story that avoids becoming too repetitive or frustrating each time it resets.

Conrad Stevenson’s Paranormal P.I. forces you to be patient and follow procedures to the letter, but once you get the hang of exploring haunted environs in search of ghosts, figuring out whose spirit is still lingering and finding the right way to get them to move on can be highly rewarding.

After two stellar Golden Idol Investigations spinoff DLC chapters, The Age of Restraint falters a bit under the weight of its complicated conspiracies, though it still manages to mostly deliver the goods. If only it wasn't so blisteringly hard to deduce its secrets.

Within its subset of casual adventures, True Fear: Forsaken Souls stands out due to its stalwart dedication to delivering peak camp-horror charm. Its story gets a bit wobbly, but after a long delay, the final part of the trilogy largely succeeds in giving some closure at last.

Gloomy Eyes is a dark but lovely fairy tale, revived from its previous VR-exclusive short film form and given new life with a welcome if fairly shallow layer of gameplay.

Flake: The Legend of Snowblind is a captivating cartoon adventure in a fun, intricately crafted setting, though its considerable charms are complicated by the fact that it feels more like a substantial first chapter than a full game in its own right.

The Bookwalker isn’t about inventing new wheels but combining familiar concepts in intriguing ways, ably marrying point-and-click adventuring and turn-based combat to provide a dark world to explore, filled with surprises that are ultimately more intriguing than its grand finale.

Though it would have benefited from more restraint, Hyperdrive Inn is a wild, multidimensional journey through a kaleidoscope of the possible and the impossible alike, with so much to see that you’ll need multiple playthroughs to experience the fullness of it.

After years of incremental improvements, the final release of SpaceVenture is a fairly entertaining experience tailored especially for Space Quest fans that’s still plagued by a significant number of unfortunate caveats.

The Adventures of the Black Hawk succeeds at copying—and I mean copying—the aesthetic that made the early LucasArts games so successful. While the copy doesn’t shine quite as brightly due to some inconsistent localization and general lack of polish, it is a consistently amusing and challenging adventure worthy of being in the conversation.

Though it doesn’t quite reach the heights it aspires to, Jusant is a lovely mountaineering adventure that makes for a refreshing change from the norm in both axis and pace.

Tourist Trap is a brief but enjoyable vacation from more difficult games, with a colorful cartoon aesthetic and great sense of humor but still able to surprise you with some darker layers to uncover.

The Abandoned Planet sends you on a not-too-strenuous journey through a visually enticing world full of mystery and menace, even if the protagonist’s hint-laden narration and surface-level characterization mean you shouldn’t expect too much more than that.

Looking and sounding perhaps better than ever, Murder Malady is everything players expect from a Carol Reed mystery, refined to focus on what the series does best. For a 20th anniversary release, it's not a grand and unforgettable outing, but certainly a welcome and enjoyable one.

Immortality is within reach for this stylishly produced noir detective thriller about the misery of eternal life, but limited world-building and player agency prevent Nobody Wants to Die from becoming a once-in-a-lifetime experience.

Fun enough while it lasts, Confidential Killings gets in and out a bit too quickly with its tightly paced plot and lack of much challenge, all wrapped up in the glitz and glam of 1970s Hollywood.

Though let down somewhat by its graphical limitations, its well-written pirate story and a variety of nicely balanced puzzles make Cleo: A Pirate’s Tale an enjoyable experience overall.