The return of Benedict Cumberbatch to the world of Strange may seem chaotic madness to the uninitiated, but it’s thrilling to see livewire director Sam Raimi breathe hilarity and juicy horror into the Marvel formula that so needed a shakeup. This is it.

It’s been 18 years between ‘Matrix’ sequels, but beneath the action chaos of warring computer codes are Keanu Reeves as Neo and Carrie-Anne Moss as Trinity, proving that they’re still romantic icons of timeless cool in a movie that’s a stone-cold trip. Wowza!

Hugh Grant uses his charm for evil in this surprisingly provocative cat-and-mouse game about the meaning, if any, of religion in a godless modern world. The dreamy romantic Grant of yore has been replaced by a diabolical presence eager to send us all to hell. What fun.

Tom Holland is better than ever in his surprise-packed, third solo outing as a teen hero in a onesie who’s out to save the world and a faltering pandemic box office. But this time the generic thrills are tempered with genuine emotion. Good one, Spidey.

All the actors excel at helping director-star Clooney turn this apocalyptic thriller into something more thoughtful than sci-fi flashy, especially the grace note of hope that speaks with heartfelt relevance to these pandemic times.

In what may be his final film, director Clint Eastwood, 94, overcomes a contrived script to build a tense, terrific legal thriller that indicts our broken justice system. Toni Collette and Nicholas Hoult help the master explore the gray area between heroism and villainy to stunning effect.

We’ve waited 36 years for this sequel and despite some rough plot patches, Michael Keaton returns in peak form to the funniest role of his career as the trickster demon who’s determined to let his freak flag fly. The Juice is loose, babe. Act accordingly.

Video games make lousy movies, right? Not this time. Thanks to Chris Pine and a cast of merry pranksters, especially Hugh Grant and a chubwub dragon, the big-screen D&D cuts through the confusion and chaos to create a goofball fantasy even a non-gamer can love.

This flawed but fascinating gay love story from director Luca Guadagnino is lifted to the heights by Daniel Craig who captures his character’s sexual heat and yearning heart in a performance he seems to tear from his insides. Is an Oscar nomination next? That’s the idea.

A riveting Anna Kendrick brings her own experience with a psychologically abusive relationship to this tale of a young woman who learns to stand her non-violent ground against a male predator through female friendship. The result is quietly devastating.

A love story about two pretty young cannibals won’t strike everyone as an appetizing dish. But you won’t be able to take your eyes off Timothée Chalamet and Taylor Russell as they try to reconcile romance with killer impulses on a road trip through hell.

I didn’t have much hope for this umpteenth take on the 1980s comic-book relic about humanoid teen sewer rats, but Seth Rogen and his team of merry pranksters have turned this animated version into a giddy, goofball delight. Cowabunga, baby!

In a world of humans, bad boy British pop rocker Robbie Williams casts himself as a computer=generated monkey. Too much? Maybe. But damn, this banger-infused biopic works like gangbusters under the visual magic of director Michael Gracey

Damn the cliches! Kevin Costner lends star power to this high-tension thriller, but even he can't match the wallop of seeing Diane Lane and Lesley Manville in action as mothers pushed to the limit.

You’ll either love it or hate it as director Ari Aster tasks Joaquin Phoenix with his most challenging role yet: a total loser just trying to get home to his mama (Patti LuPone). It’s not for everyone, except audiences starved for originality in copycat Hollywood.

Director George C. Wolfe had a dream to put unsung civil-rights firebrand Bayard Rustin front and center in a movie. And now, with the help of executive producers Barack and Michelle Obama and a thrilling acting tour de force from the great Colman Domingo, he has.

With its pokey pace broken by bursts of violence and racial tension, the end of Paul Schrader’s man-in-a-room trilogy falls short of the master’s peak. But this mesmerizer is the work of a true film artist continually striving to connect his tortured soul to ours.

Oscar winner Emma Stone teams up again with her Poor Things ’director Yorgos Lanthimos for a mesmerizing mindteaser, costarring a fabulous Jesse Plemons, that tells three stories that you can’t stop thinking about as they entertain and exasperate.

Forget the silly title. There’s a world of hurt behind the laughs in this emotional powerhouse as therapist Morgan Freemen treats a PTSD soldier (a very fine Sonequa Martin-Green), home from Afghanistan but still talking to the scrappy ghost of her army bestie (Natalie Morales).

Nicole Kidman burns up the screen in Helena Reijn’s erotic spellbinder about why a married-with-children titan of industry would risk career suicide to find her true self by losing control with a hottie young intern (Harris Dickinson) who bends her to his cruel will. Not as transgressive as it wants to be, but damn close

With the male need to control women hitting a new flashpoint, Alex Garland’s provocation is fired by urgency as the extraordinary Jessie Buckley stars as a widow threatened on all sides by toxic masculinity. Garland is stingy with answers, but his implications are incendiary.

It's basically a pricey home movie in which Adam Sandler spotlights his wife and two daughters. It's also an unexpectedly sweet and sassy surprise. Comic dynamo Sunny Sandler, his youngest, gives nepotism a good name as a Jewish girl on the cusp of womanhood.

Yes, it’s about paleontology, but hold the yawns. Kate Winslet and Saoirse Ronan hit new acting peaks in Francis Lee’s deliberately-paced portrait of two ladies on fire in Victorian England.

Priyanka Chopra-Jonas lends her beauty and star power to Ramin Bahrani’s unwieldy but enthralling screen adaptation of Aravind Adiga's bestselling novel about the haves and have-nots in modern India.

Oh no—not another doomsday thriller! Yes, but hold on and see how director Sam Esmail and producers Barack and Michelle Obama, powered by an exceptional all-star cast (Julia Roberts, Ethan Hawke, Mahershala Ali, Kevin Bacon), make you care while frying your nerves to a frazzle.

It’s always a slam dunk when Adam Sandler drops his doofus routine and really acts. And here, as a basketball scout who yearns to coach, he infuses every frame of this formulaic crowd-pleaser with a real-deal love of the game. Hot damn! We have a winner.

Actor David Oyelowo makes a heartfelt directing debut in a PG adventure about a boy (Lonnie Chavez) in search of a mythic creature who might save his dying mother. Even when the pace drags, the film remains a rare gift for family audiences.

Sure, it’s a bit predictable, but actress Zoe Kravitz—in a promising directing debut— milks every ounce of suspense out of this #MeToo thriller set on an island paradise where pretty young things accept invites from tycoon Channing Tatum at their own peril.