- Record Label: Interscope
- Release Date: Mar 29, 2019
User Score
Generally favorable reviews- based on 1208 Ratings
User score distribution:
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Positive: 955 out of 1208
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Mixed: 74 out of 1208
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Negative: 179 out of 1208
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- Most helpful
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Apr 26, 2019
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May 27, 2019the hazy sad creepy vibe holds for the first couple of tracks after which it becomes repetitive. It's alright but just not gripping enough to listen to in one go.
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Nov 29, 2020Low-rent Lorde demos by someone whose hair matters more than her lazy voice. The audio equivalent of a man-bun. Billie's licensed "Bad Guy" to so many UK commercials - maybe she's cashing in because she knows her success will be short? Enough body-shaming of her, people - focus instead on her brother being in her bedroom so much. Ewww.
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May 22, 2019
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Sep 3, 2020I’m not a big fan of Billie, but this album is actually great, with some heartfelt lyrics and nice instrumentals and harmonies but, in my opinion, a lot of Billie’s songs just sound the same, very sleepy and slow.
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Mar 31, 2019
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Oct 5, 2019Its catchy in some ways but boring in some other ways.Also,its lacks originality. Its seems stolen from other artists and put together into one record.
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Jan 14, 2020
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Jan 16, 2020Not sure what everyone sees in this. After 3 listens this is mediocre at best. It would seem we really are in the age where we celebrate mediocre as the second coming of Christ. She better show more range than the sad sack persona she seems to have cultivated here or she will be a footnote in the history of pop.
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May 13, 2019Never liked the mental health/ substance abuse theme probably because there are no actual roots for it. Also the constant distortion effect and mumbling vocal style are so annoying that the last guitar songs even felt a bit fresh to me.
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Apr 2, 2019I don’t know where we all go when we go to sleep but I do know that I almost fell asleep listening to this.
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Apr 16, 2019I'm gonna be real with you. I vibe with bad guy and bury a friend. But everything else is pretty boring and not as "experiemental" or "groundbreaking" as everyone says it is.
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May 9, 2019This is a super generic 'im edgy' pop album. The same repetitive effects are used on every song and she relies on her 'deep' lyrics to soothe the population. One or two songs are catchy, but they're not worth buying the entire album for. I really liked dont smile at me because it displayed her vocals nicely.
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Aug 23, 2019Альбом абсолютно проходной, есть пару неплохих песен на которых держится весь релиз, однако альбом для "не такие как все". Загробное звучание, некоторые песни имеют неплохой текст. Но в общем - плохо.
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Nov 15, 2020She has potential, but I know she will have a better album and I look forward to it
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Nov 3, 2019Just a couple of years ago, I was blown away by Billie’s album ‘don’t smile at me’. However, this album seems a bit rushed and many of the songs sound very similar. Bad guy, although becoming a top hit in several countries, came across to me as very boring. A few songs were good, though. A shame since her firstborn album was so good.
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Apr 3, 2019Billie wears her abominable behavior proudly on her sleeve, with creeping vocalizer effects and brooding bass. Perhaps it would work if her rise to fame was more organic. It's hard not to hear the boardroom of old, white executives at Interscope snickering as they unleash this cacophony onto the masses. Maybe it's time they stop trying to give youth culture a hellish ethos and just retire already.
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Jun 25, 2019
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Jul 30, 2019There are few good songs, but not good enough to make this album anything but decent. Lows are low, and highs are mediocre. Hype around her public persona will make this album comercially successful, but Billie fails to make anything intresting.
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Apr 2, 2019
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Mar 30, 2019
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Aug 24, 2019
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Jul 30, 2021Overrated trash album. The aesthetic is pukey and the themes of the songs are downright depressing. She can do better.
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Sep 19, 2022Totalmente sem graça e entediante, parece um álbum feito para quem quer dormir, as vezes nem consigo acreditar que isso tem grammy, sério muito superestimado.
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Mar 18, 2021sei la, nao gostei, vi a crescida da billie, mas não vi muito bom resultado vindo do album
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Mar 25, 2020
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Sep 1, 2019This review contains spoilers, click expand to view.
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Dec 7, 2019honey, what is this? bad guy is trash. the others too. should’ve stuck to the sound you had before. who produced this mess?
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Jul 25, 2020Not a fan of this album. Boring, Billie has no voice, it sounds just like an album to fall asleep
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Apr 10, 2019
Awards & Rankings
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Dec 3, 2019When We All Fall Asleep Where Do We Go? is a startlingly good introduction to Billie Eilish, an album full of attitude but with the talent to back it up. Where she goes from here will be fascinating to see.
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Oct 4, 2019The 17-year-old sensation takes pop iconography and musical status quo and lacerates it, opting out of femme fatale for tomboy cargos and goth macabre, and sleek soundscapes for creepy eccentrics.
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Q MagazineApr 9, 2019This surprising, haunting album will speak powerfully both to her peers and to anyone who remembers how youth can sometimes feel like an overwhelming weight. [Jun 2019, p.110]