User Score
6.3

Generally favorable reviews- based on 217 Ratings

User score distribution:
  1. Negative: 68 out of 217
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  1. Aug 24, 2022
    0
    Amazing throwback album recorded to tape. It's nice to hear Panic sound like a proper band again.
  2. Aug 19, 2022
    0
    A crítica só pode estar maluca de achar que esse álbum HORRÍVEL é melhor que toda a discografia dele
  3. Aug 20, 2022
    0
    As a Panic fan, ive never been so disappointed in my whole life. 4 years of waitning to get this ****
  4. Aug 21, 2022
    0
    Oh well, how can I say... inedible. Frustrating attempt to sound innovative, but sounds amateurish. It wasn't well produced, it wasn't well crafted. The main voice is just played to our ears in an aggressive way. No song is good.
  5. Aug 27, 2022
    0
    Terrible album. There is not one good song on it. Never been a fan of this guy.
  6. Aug 19, 2022
    0
    this is not good at all. i would never recommend this to anyone. no songs are good. none.
  7. Aug 19, 2022
    0
    Listen. It’s not good. When you consider the way Panic lyrics used to sound - intricate, and meaningful! - this album falls flat tenfold. Not to mention that Brendon Urie has stolen idea upon idea from his former bandmates, not to mention Pete Wentz. These songs are, to me, completely unlistenable. Congrats, Brendon, you’ve finally done it. You’ve created the first ever completelyListen. It’s not good. When you consider the way Panic lyrics used to sound - intricate, and meaningful! - this album falls flat tenfold. Not to mention that Brendon Urie has stolen idea upon idea from his former bandmates, not to mention Pete Wentz. These songs are, to me, completely unlistenable. Congrats, Brendon, you’ve finally done it. You’ve created the first ever completely unlistenable album. Expand
  8. Aug 19, 2022
    0
    The new Panic! At The Disco album sounds like Queen with brain damage. I know Freddie Mercury is rolling in his grave rn…..Freddie baby I’m so sorry.
  9. Aug 20, 2022
    0
    this whole album that stretches on just as long as the prerequisite lobotomy appointment to listen to it is entire nonsense. filled with lyrical **** and sung by a voice more strained than lemonade, this album brings nothing new to the table besides a new-found desire to not live anymore.
  10. Aug 20, 2022
    0
    One of the worst album I’ve ever heard in my entire life , like be serious
  11. Aug 20, 2022
    0
    He’s screeching throughout the whole damn thing. It’s obvious he has serious vocal issues with strain and its evident throughout these songs. The only thing above mediocre on this thing was the lead single. He has single handedly destroyed the reputation of the name “Panic! at the Disco”. I was a fan a long time ago, but this was a truly a let-down.
  12. Aug 20, 2022
    0
    I tried giving this album a fair shot, but unfortunately, it was very disappointing compared to Panic!'s previous works. I am not skilled at writing, but I still hope my points are clear as to why I feel such distaste towards the album.

    When you get past the initial strain heard on Brendon Urie's vocals, certain riffs in the songs had plenty of potential. However, with a mix of generic
    I tried giving this album a fair shot, but unfortunately, it was very disappointing compared to Panic!'s previous works. I am not skilled at writing, but I still hope my points are clear as to why I feel such distaste towards the album.

    When you get past the initial strain heard on Brendon Urie's vocals, certain riffs in the songs had plenty of potential. However, with a mix of generic lyrics and off-key high notes, all of that potential immediately falls flat. This makes the songs unbearable to listen to.

    At face value, the song titles are not nearly as creative as what Panic! was capable of before Brendon went solo. We've come a long way from "The Only Difference Between Martyrdom and Suicide Is Press Coverage," to their new song "Middle Of A Breakup" which, by the title alone, sounds so non-specific that it could fit neatly under most artist's names. This is just a preview of the little inspiration put into these songs. But, I understand titles aren't everything, so I will look at the style and lyrics of "Middle Of A Breakup" as an example for the album.

    When you read the lyrics of this song, Brendon uses the previous themes of comparing relationships to drugs and... beehives? (Refer to "Nicotine" and "The Calendar.") But compared to those previous songs, all creativity was replaced by an incoherent melody that contrasts heavily with the instrumental playing in the background. But hey, considering over a 4th of the lyrics contain "Makeup sex in the middle of a breakup" at least there is no confusion about what the song is about, right? At least that part makes sense, I suppose?

    This album feels like the culmination of lost passion from Urie, and a mix of pandering to as many audiences as possible by using themes that have worked for Brendon (and other artists) previously. He uses no effort to make them unique or enjoyable, instead opting to use this as an opportunity to show off his deteriorating vocals, hitting as many high notes as humanly possible within the album. There is no hiding the crack and strain as he sings each lyric, leaving me more concerned than impressed as to how his voice has evolved over the past 17 years.

    To each their own, and if you enjoy this album, there is nothing wrong with that. But, as someone who previously enjoyed Panic! At The Disco's music, I wish this album would have solely been branded under Brendon Urie's name, and I honestly wish Panic! At The Disco's name would have been left to rest in peace after they wrote "Pray For The Wicked."
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  13. Aug 22, 2022
    0
    Esse álbum eu achei o pior deles, achei sem critério é sem criatividade, fiquei desapontado com o álbum em completo.
  14. Aug 21, 2022
    0
    Absolute garbage from start to finish, cringe-worthy lyrics with an unbearable forced falsetto.
  15. Aug 21, 2022
    0
    After Panic! At The Disco's shift to pop with 'Pray For The Wicked', as well as the cancellation of lead singer and oldest member of the band, Brendon Urie, fans (including myself) expected something that would serve as a brilliant and well-executed come-back...you know, since they've had 4 years. However, this album certainly is not fantastic, if anything, it's fantastically awful. UrieAfter Panic! At The Disco's shift to pop with 'Pray For The Wicked', as well as the cancellation of lead singer and oldest member of the band, Brendon Urie, fans (including myself) expected something that would serve as a brilliant and well-executed come-back...you know, since they've had 4 years. However, this album certainly is not fantastic, if anything, it's fantastically awful. Urie wrote the songs himself and this evident by how bad they are. There are only aspects of the album that sound okay, like the music, though Urie's strained vocals makes it a painful listen for fans and people who have only heard of the band recently. I believe this to be the band's fall from musical grace. Expand
  16. Aug 21, 2022
    0
    this is literally one of the worst albums i have ever heard. brendon *used* to be an incredible singer, but he's absolutely destroyed his voice and really just doesn't have anywhere near the same skill he used to (as in, he sounds like horse **** the songwriting is unbelievably basic, production is very average, the vocals are almost painful to listen to. i made an account just to warn youthis is literally one of the worst albums i have ever heard. brendon *used* to be an incredible singer, but he's absolutely destroyed his voice and really just doesn't have anywhere near the same skill he used to (as in, he sounds like horse **** the songwriting is unbelievably basic, production is very average, the vocals are almost painful to listen to. i made an account just to warn you to not listen to this godforsaken album. Expand
  17. Aug 21, 2022
    0
    uninspired, generic, and boring to say the very least. as brendon urie has progressed his one man band career he only continues to stoop further and further down this predictable spiral and pop out one of the worst albums you’ll ever hear every few years. it’s a shame to associate such amazing classics with these new set of ‘songs’ that has been put out
  18. Aug 22, 2022
    0
    definitely one of the least favorite albums of this year, I had high hopes at the beginning but then by the end I couldn’t quite grasp what they were pushing. He needs to continue focusing on the great albums previously
  19. Aug 23, 2022
    0
    This album was a disappointing effort that actually baffles me to see the critic and user reviews. The vocal performance was inconsistent, sounding sharp and flat and off-time constantly. The songs just sounded wrong in many different ways.

    Brendon Urie needs to learn that he doesn't always have to give a high note vocal performance of a lifetime because it is starting to come across as
    This album was a disappointing effort that actually baffles me to see the critic and user reviews. The vocal performance was inconsistent, sounding sharp and flat and off-time constantly. The songs just sounded wrong in many different ways.

    Brendon Urie needs to learn that he doesn't always have to give a high note vocal performance of a lifetime because it is starting to come across as strained, difficult to listen to and often painful.
    Really disappointed with this album, I expected better of a man of his talent.
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  20. Aug 29, 2022
    0
    This album is pretty much same same, none of the songs are unique and all use the typical "pop" traits, Brendon Urie clearly wants to be Queen or Frank Sinatra.
  21. Sep 4, 2022
    0
    Terrible album. Distasteful lyrics and overall a bad listening experience. Honestly, he should be ashamed and embarrassed at releasing something this bad.
  22. Sep 16, 2022
    0
    I made an account just to express how awful this is. Uninspired, lyrical keysmash in every song. The words mean absolute nothing and are unbearable to listen to with how forced Brendon's vocals are. I literally laughed at how bad some of the songs were. I bought tickets for this tour before I heard the album and I'm considering selling them just so I don't have to listen to this absoluteI made an account just to express how awful this is. Uninspired, lyrical keysmash in every song. The words mean absolute nothing and are unbearable to listen to with how forced Brendon's vocals are. I literally laughed at how bad some of the songs were. I bought tickets for this tour before I heard the album and I'm considering selling them just so I don't have to listen to this absolute trash sandwiched between decent music.

    Many of the people who like this album seem to think they have a more refined and elevated taste in music than the people who don't. If you're so horny for the nostalgia of the 70s that you'll overlook how bad this music is that's fine, you can just say that.

    The best part of this album was the tangible relief I felt when it ended.
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Metascore
82

Universal acclaim - based on 7 Critic Reviews

Critic score distribution:
  1. Positive: 5 out of 7
  2. Negative: 0 out of 7
  1. Aug 24, 2022
    80
    It absolutely borrows plenty from all of Brendon’s influences – but that’s not a bad thing. Viva Las Vengeance is both consistently catchy and classic-sounding, and another fine addition to Panic!’s remarkably varied discography.
  2. Aug 19, 2022
    80
    The album is like a wild ride in a muscle car where someone’s constantly fiddling with the radio, forever chasing the high that comes with hearing the perfect riff at the perfect moment. ... Viva Las Vengeance sounds great, its piston-like licks and soaring solos acting like time machines to a rose-colored-glasses-refracted era.
  3. Aug 19, 2022
    85
    For those of us who love both power pop and musical theater, though, and haven’t been as much enamored of their previous emo, this is Panic!’s best album. The paradox is that this may be one-man-band Urie’s hardest-rocking collection, as well as his most stagy.