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This is an impressive record in many respects, and its hooks and patterns only emerge after many plays, but it's also an oddly distant one.
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UrbOn Varcharz, Mouse on Mars crank out 11 new tracks that, for better and worse, continue to expand the boundaries of abstract music. [Sep 2006, p.138]
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Jagged, fractured, splintered, and downright violent-sounding, it's easily the most extreme music the duo has made.
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In the end, Varcharz feels like an in-betweener album, where the duo hasn't quite figured out which direction they want to move in next.
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A much more serious, often less danceable, instrumental effort.
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SpinA masterful blend of electronic genres. [Oct 2006, p.102]
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Under The RadarTwo of the last tracks, “Bertney” and especially “Retphase,” end up succeeding where most of the album is lacking in finding the perfect balance between left-field beats and compulsive rhythms. Too bad the rest of the album doesn’t hit the same mark. [#15]
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UncutThe saturation bombing technique is only partly successful. [Nov 2006, p.123]
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The sheets of noise and absence of hooks hide some interesting ideas if you have the patience to listen for them.
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None of the really experimental stuff is so egregious to mar the album; it’s just fairly disposable after one keen listen. On the other hand, the good, funky stuff isn’t quite as good or funky as it has been in the past.
User score distribution:
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Positive: 4 out of 5
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Mixed: 1 out of 5
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Negative: 0 out of 5
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amccOct 6, 2006
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PaulHOct 2, 2006
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mikes.Sep 26, 2006