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Smaldone’s rattling, tumbling, ragtime ballads are engaging rather than just pretty; plus, the narratives are consistently well-realized, albeit that the interpretations are largely closed.
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With The Red River, his best yet, richer, more fluid arrangements tip his songs from straight folk blues into gospel, soul and even hints of R&B.
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Smalldone's solemn and controlled croon, though subtly emotive, amounts to dismal verbosity. The Red River is a serious, introspective project that, like the narrating wanderer, shows no signs of its roots.
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For a while now, Smaldone has been the kind of singer-songwriter who deserves more attention than he’s getting, and The Red River is further evidence of that.