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- Summary:
- Record Label: Mute
- Genre(s): Indie, Rock
- More Details and Credits »
Score distribution:
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Positive: 10 out of 17
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Mixed: 7 out of 17
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Negative: 0 out of 17
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Adamson isn't above mixing wacca-chika guitars with soaring strings and following it up with haunting instrumentals, and unlike some odd hybrids on former releases, this disc pulls most of it off quite well.
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This variety is what makes The King of Nothing Hill so enjoyable -- it revels in being both fun and furious.
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MojoYou have wit, wisdom, and yet another Adamson sonic script you wish someone would film. [Oct 2002, p.100]
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Ten tracks that play out like a joint venture between Shaft and David Bowie's Thin White Duke.
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Unfortunately, after the initial rush of the opening tracks, the album slows down perhaps too much.
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Q MagazineAdamson's not abandoned the scary swing tunes that made David Lynch a fan... merely added another gear. [Oct 2002, p.100]
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Adamson is certainly adept at replicating the sights and sounds of the Bond and Blaxploitation films that inspired him in his youth. But is he celebrating his passion or merely mocking it in a hamfisted fashion? Sadly if feels like too much of the latter, even if it is by accident.
Score distribution:
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Positive: 0 out of
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Mixed: 0 out of
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Negative: 0 out of