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- Summary: The latest full-length release from London-based Los Bitchos was produced with Oli Barton-Wood and engineer Giles Barrett.
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- Record Label: City Slang
- Genre(s): Pop/Rock, Alternative/Indie Rock, Neo-Psychedelia, Instrumental Rock
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Score distribution:
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Positive: 7 out of 8
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Mixed: 1 out of 8
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Negative: 0 out of 8
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Aug 28, 2024Drenched in swirling reverb, the atmosphere evoked by Talkie Talkie is lush and cinematic – whiffs of surf rock, loping Latin drums, and shiny, liquid guitar twangs.
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Aug 30, 2024Talkie Talkie is a triumphant follow-up to their debut. It sparkles intensely has tonnes of shiny charisma and sustains its shape while trying new things in the second half.
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Sep 13, 2024Talkie Talkie builds a cohesive, immersive experience, where each song represents a segment of a larger narrative. Through this experience, Los Bitchos challenge the conventions of rock through sound and representation.
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Aug 29, 2024It’s as if every track on Talkie Talkie is the perfect accompaniment for the inevitable action-comedy scene set in a disco: It’s too loud to talk, and everybody’s having a good time while the protagonists are hard at work.
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Aug 29, 2024They never clear the chateau dancefloor, and they add flashes of '80s synths on tracks like "Don't Change," video game music on "Kiki, You Complete Me," glockenspiel and fluttery effects on the mysterious "It's About Time," and a sense of urgency on the fiery "La Bomba." It all makes for a good time for all while at the same time offering to recede nicely into a groove-heavy background as needed.
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UncutAug 28, 2024Talkie Talkie benefits from a sharpening of focus even if the instrumental foursome remain determined to recombine such normally disparate elements as sun-scorched psych, Caribbean rhythms, Turkish disco and the kind of rock bravura rarely captured outside of an ’80s movie soundtrack. [Oct 2024, p.31]
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MojoAug 28, 2024If the near Herculean task of sustaining enchantment through 12 instrumentals just occasionally tests Los Bitchos, it's easily forgivable. [Sep 2024, p.92]