User Score
8.7

Universal acclaim- based on 1805 Ratings

User score distribution:
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  1. Sep 24, 2019
    3
    Madonna feels, for possibly the first time, way out of her depth here. There's a large amount of Spanish and Portuguese songs on here, but none of it feels very original- or, if it does, it's so soaked in reverb that it sounds like she's singing it in an abandoned auditorium. And her social commentary is just... not great. "Killers Who Are Partying" honestly ruins this entire record. ItMadonna feels, for possibly the first time, way out of her depth here. There's a large amount of Spanish and Portuguese songs on here, but none of it feels very original- or, if it does, it's so soaked in reverb that it sounds like she's singing it in an abandoned auditorium. And her social commentary is just... not great. "Killers Who Are Partying" honestly ruins this entire record. It just feels like she's trying to connect herself with these cultures and struggles that she's never been a part of. It feels like a 21st century version of Kipling's "White Man's Burden" in some ways, and that is NOT a good thing. Sometimes, you don't need to speak your opinions on every matter. Expand
  2. Jun 17, 2019
    3
    Undoubtedly one of Madonna's worst albuns, but it has 3/4 songs that are worth listening to. I was disappointed with the exaggerated use of autotune.
  3. Jun 16, 2019
    3
    I get the experimental thing, but this album is a mess full of auto tune and with no memorable songs.
  4. Jun 16, 2019
    3
    Does she sing at all? Yes but with all the autotune you don't get to hear it... Madonna has changed for this record and not in a good way: in my opinion, this is one to avoid at all costs...
  5. May 30, 2020
    3
    Álbum péssimo. Apenas 2 músicas se salvam! Não sou hater, porém esse álbum não há inovação e nem coerência, totalmente genérico. Por isso dou nota 3!
  6. Aug 12, 2019
    2
    As someone who considered herself a huge former Madonna fan (I own most of her singles from the 80s and 90s on vinyl) I was pleased by the rumor mill whisperings that this latest album, "Madame X" was a comeback of sorts, a return to primo form after nearly a decade of mediocre music releases (following the excellent career-highlight "Confessions on a Dance Floor"). Unfortunately, after aAs someone who considered herself a huge former Madonna fan (I own most of her singles from the 80s and 90s on vinyl) I was pleased by the rumor mill whisperings that this latest album, "Madame X" was a comeback of sorts, a return to primo form after nearly a decade of mediocre music releases (following the excellent career-highlight "Confessions on a Dance Floor"). Unfortunately, after a few serious listens to the new Ms. X, I've concluded that it's not only bad and a continuation of Madonna's out-of-touch downward spiral, but it's also entirely cringeworthy and shockingly amateurish. Ridiculous, self-indulgent lyrics and less-than-stellar vocal delivery aren't the only problematic elements, however. The production on the album is also surprisingly "off" and unpolished. Many of the vocals seem as if they are recorded by a cheap laptop mic and - perhaps purposely? - there's a sparseness to the overall sound that feels unfinished and quickly constructed. While some reviewers have lauded this as the best Madonna album in years, all signs (and sounds) point to it being among the worst and most misguided. Expand
  7. Jun 27, 2019
    2
    Are all the exceptionally high scores some kind of joke I'm not in on? Or are they just Madonna fan girls or basing their scores off some nostalgia that I don't understand because I'm only 19? Genuinely confused cause this not a good album at all.
  8. Jun 16, 2019
    2
    Very confusing. There’re songs very experimental and that’s no good. Best track is crave.
  9. Jun 16, 2019
    2
    Madame X até que tinha uma boa proposta em reunir estilos e gêneros musicas em um único registro, mas errou na execução do projeto, a maioria das musicas tem uma produção chocha e nada excepcional, em “I Don’t Search I Find” que tem a melhor produção do álbum (e bem saudosista) a experiência é arruinada pelo exageros na edição em sua voz. Liricamente é qualquer coisa também, o álbum é malMadame X até que tinha uma boa proposta em reunir estilos e gêneros musicas em um único registro, mas errou na execução do projeto, a maioria das musicas tem uma produção chocha e nada excepcional, em “I Don’t Search I Find” que tem a melhor produção do álbum (e bem saudosista) a experiência é arruinada pelo exageros na edição em sua voz. Liricamente é qualquer coisa também, o álbum é mal organizado, enquanto ela canta sobre sua experiência melancólica de crescer no ocidente, na faixa seguinte ele canta sobre trair seu marido, todas as musicas que ela tenta cantar em português é um grande desastre e fica até cômico, como na faixa Crazy.

    Enquanto nos outros registros por mais desastrosos que fossem ela ainda conseguia oferecer grandes musicas como Devil Wouldn’t Recognize You, Misterpiece e Hold Tight o mesmo não se aplica ao Madame X, o álbum não tem nenhuma musica memorável, marcante ou grandiosa que faça jus ao legado de sua interprete, muito pior que errar tentando com um disco ruim e pretensioso, é errar tentando com um disco inesquecível como esse.
    Expand
  10. Jun 14, 2019
    1
    No es su mejor trabajo, Medellín es lo peor del disco!!! Me pregunto que sigue después de este álbum
  11. Jun 20, 2019
    1
    Doesn’t sound coherent this album of hers. She seems to be trying to be innovative, but fails in her attempt, undoubtedly disappointing
  12. Jun 16, 2019
    1
    This review contains spoilers, click expand to view. Terrible like always, Madonna has no voice anymore, a bunch of young artists trying to make her more relevant but it's all trash Expand
  13. Jun 16, 2019
    1
    Madonna está envejeciendo musicalmente de una manera horrible, muy mal disco
  14. Jun 14, 2019
    1
    One of worst album of the year.
    This album full of autotune, wheres art?
    Lol
  15. Jun 24, 2019
    1
    This review contains spoilers, click expand to view. So many fillers mg...this has to be her worst album in centuries....what in God's name is this Expand
  16. Jun 14, 2019
    1
    Absolute trash. I had a very uncomfortable time listening to it. Madonna is a try hard artist that jumps into new trends just to try to stay relevant and still fails. Laughable
  17. Jun 14, 2019
    1
    I love poppy songs with a melody that makes you happy and detest rapping, so you can guess where this is going... Madame X certainly isn't anything of what I like and just one song out of 15 is tolerable, so I guess that makes the score 1 rather than 0.
  18. Jun 14, 2019
    1
    Ella dijo que salvaría el pop y con este material está lejos de hacerlo. ¿Ella piensa salvar el pop colaborando con maluma?.
  19. Jun 15, 2019
    1
    Madonna's worst album. I didn't enjoy the features, the excessive autotune, or the overly experimental sound. This doesn't live up to Madonna's previous albums.
  20. Jun 16, 2019
    1
    The songs is not very structure, the lyrics is not captivating, the autotune is too much and her voice it's like never existed, she sounds terrible even with autotune
  21. Jun 17, 2019
    1
    Nothing more than terrible, the lack of talent is becoming more and more evident in Madonna, she sounds terrible, she lost her mind, it's the same she has always did, a bunch of young artists trying to get streams and using religion to promote herself
  22. Jun 20, 2019
    1
    An interesting concept, executed poorly. Lyrically patchy, questionable collaborations, and so much vocal processing that you feel like you are not hearing Madonna, but hearing her computer. Madonna has done vastly better. This album will not go down in history as one of her finest.
  23. Jun 22, 2019
    1
    The worst of her albums, perhaps very close to “American Life”: just judge by the art cover and the name of the album. Madame X is just a mix of a desperate “artist” trying so hard to be relevant with her well known and repulsive controversy manners. She has become really disgusting. Just grow up woman, remove those grills and that ridiculous eye patch
  24. Jun 23, 2019
    1
    One of the worst albums Of The year and the complete decade.
    This is an perfect example Of what u shouldn't do in actual pop.
  25. Jun 24, 2019
    1
    Horrible. One of the worst albums of this year. She really lost it and thats sad
  26. Dec 9, 2021
    1
    Sorry but this album is just awful. I appreciate Madonna is exploring her new sound by trying adding some flavors on each track. Not bad for her 14th studio album but this ain't it.
  27. May 30, 2020
    0
    Noioso, brutto, mediocre. Uno scempio considerato avanguardia. Madonna pur di tornare rilevante ha scelto di duettare con il peggio del peggio nel campo del reggaetton, non una volta, DUE. Risultato? Uno schifo. ONE TWO CHA CHA CHA AHAHAH
  28. Jun 15, 2019
    0
    Unfortunately, it's not good. Production on some songs are pretty neat but the lyrics just ooze fake-woke messages and never dig deeper. Genre choice was obviously going for the Latin pop trend and it's just so heavy handed.
  29. May 29, 2020
    0
    lousy and extremely bad taste. Madonna is tired and doesn't sound as cool and refreshing as in vogue or ray of light.
  30. Sep 3, 2019
    0
    Medellín 4/10
    Dark Ballet 4/10
    God Control 2/10
    Future 2/10
    Batuka 6/10
    Killers Who Are Partying 2/10
    Crave 4/10
    Crazy 3/10
    Come Alive 3/10
    Extreme Occident 4/10
    Faz Gostoso 10/10
    **** I'm Loca 4/10
    I Don't Search I Find 2/10
    Looking For Mercy 8,5/10
    I Rise 5/10

    Mademe X:40/100
Metascore
70

Generally favorable reviews - based on 21 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 21
  2. Negative: 0 out of 21
  1. Mojo
    Jun 25, 2019
    80
    The pace plods on some mid-tempo tracks, but overall this is a personal, politically-charged mix of dark thoughts and good vibes. [Aug 2019, p.88]
  2. Jun 21, 2019
    40
    Overall, Madonna’s fourteenth album Madame X feels as if Mirwais had mostly completed a decent run-of-the-mill modern pop record, albeit with a cool hotch-potch global feel; hip nods in place to fado, dub and other micro-genres dunked amongst the trap and retro disco. But then just before sign-off, Herself went through the top-lines with a sharpie. ... None of these carefully curated flourishes feel as if they truly live inside the ‘whole’ of this music. Instead it all feels plonked on top of a template.
  3. Jun 19, 2019
    58
    Madonna has created this music for an audience of one: Herself. Often it works. Sometimes it doesn’t.