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Taken on their own, songs like "The Nightmare of Atomic Men," "Drowning Appointments" and "Kanon" are all fine, but when there's no change of pace, it's easy to realize that the charm of Enon is that they do a lot of things pretty well, not one thing really well.
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It's not bad; it just feels like a stopgap to hold fans over until Enon has recorded enough material for a new release.
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Fans might enjoy the history lesson, while non-fans are probably better off waiting for the next full-length.
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It's a joy to listen to but tough to recommend.