User Score
Generally favorable reviews- based on 84 Ratings
User score distribution:
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Positive: 48 out of 84
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Mixed: 12 out of 84
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Negative: 24 out of 84
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Jun 1, 2021
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Dec 18, 2019Avoid shows by the Bug, they're awful. There's not any meaning to the many colors in this music, like any real abstraction is lost. When the Bug clicks away that is good night to Irene, and others, and it just sounds awful. When the Bug grinds what does it matter any more? The Bug's music completely lacks eloquence of any kind.
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May 2, 2011
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michaelRAug 1, 2009The songs on this album have an amazing abilty to pump me up. It helps me in the gym.
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BCMay 19, 2009I cannot believe this is rated 90...I saw them live with Nine Inch Nails and all the singer could do was touch herself and scream HARDCORE. Live: the singing sucked, but the dj was awesome so it gets a bit better then 1 for me.
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KirkVNApr 19, 2009How this one is called good music is beyond my comprehension. Strange ideas + electronic = utter bullsh*t.
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TImAApr 17, 2009
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RaeRApr 12, 2009There was a time when I believed Lou Reed's 'Metal Machine Music' was the worst album ever recorded. I've revisited my opinion and have come to the conclusion that it is the second worst album ever recorded. Poo-poo to all those arty poseurs who actually see artisitic merit in this shite DVD.
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OllieHMar 11, 2009
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JodieLDec 10, 2008
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MattHNov 24, 2008Brilliant, unrelentingly dark and - somehow - fun. "London Zoo" is a masterpiece of menacing beats, gloomy atmospherics and talented guest vocalists.
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AdamPNov 18, 2008
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TylerNov 16, 2008It's incredibly annoying.
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PitchforkmediaROct 30, 2008"Angry" is the worst song of all time, truly horrendous music. Sounds like reggaeton, avoid at all cost.
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kilas99Oct 29, 2008Really hard on the ears. I think if the pace and tempo was quicker I could handle it, but after several listens I still hear abrasive MC's over very, very grime-y beats that never really take off. Really depends on what you're looking for from electronic/hip-hop/producer etc.
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AaronB.Oct 12, 2008Masterpiece. Incredibly creative.
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MikeGOct 3, 2008I put this album on to read to, but immediately had an urge to dance. Solid sounds from start to finish.
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AndreaD.Sep 25, 2008I've listen for the first time the dubstep and this genre has impresse me very positively! Basses are incredible on all the cd! Skeng, Angry, Judgment get 10/10, Warning , Fuckaz, Jah War 8/10, all the others 7/10..then... all the cd get an 8.. A particular mantion to the song Skang.. the rap on this song is amazing!
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OlaoluJ.Sep 24, 2008
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GuyHSep 22, 2008
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JamesM.Sep 20, 2008This album is awful. I could no listen to it more then once.
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[Anonymous]Sep 14, 2008Overrated, of course.
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ElliottMSep 13, 2008Ditto Eric C.
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AnthonyC.Sep 13, 2008Slightly overrated. still excellent, though.
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CailyD.Sep 11, 2008Judging from what they play in clubs these days, I'd say this album is tremendously underrated. I've never felt more like dancing than when this album is on. I can't explain it.
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FilmoreH.Sep 10, 2008Makes No Doubt's "Rock Steady" look like the banal pop turd it is. The Bug owns 2008.
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AlanR.Sep 10, 2008Totally underrated. More!
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TomP.Sep 9, 2008As I said in regards to DragonForce, that many critics just can't ball up to without sounding biased and losing their jobs. Is that a great album, in a garbage genre, is still garbage. Nuff said.
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MrASep 8, 2008The energy of this album is fantastic, I get lost in the textures, awesome!
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WesM.Sep 3, 2008Uniformly strong if not consistently groundbreaking dancehall.
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Awards & Rankings
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The cumulative effect--somewhere around being lifted into the heavens by sunrays--is at odds with the continuous black clouds that come before. Yet it’s a necessary chink of light to conclude a journey so oppressive you may just forget to breathe through its duration.
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Considering the host of absolutely killer tracks, London Zoo might just be Kevin Martin's finest album, which is astounding considering the man has been making music for two decades.
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London Zoo provides the perfect showcase for its colourful menagerie of MCs and singers. And the Bug's no-nonsense clank and grind production fosters a rare intensity of focus on this album's higher purpose, which is to take the eloquence of Linton Kwesi Johnson and Michael Smith's Eighties dub-poetry, and blast it into digital hyperspace.