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Feb 27, 2012The music is pretty but still--without many shifts in color or tone, they sit there like flat, two-dimensional objects.
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Feb 8, 2012Apart from the aptly titled "Film Credits," which, worthily, plays much like a ode to Max Richter, the music on the remainder of the album is left to unsatisfying and grey piano suites that don't sound destined for a more open setting nor benefit from the intimate setting of Arnalds' own living room.