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Let God Sort Em Out Image
Metascore
83

Universal acclaim - based on 11 Critic Reviews What's this?

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  • Summary: The first full-length studio release from rap duo Clipse since 2009's Til the Casket Drops features guest appearances by Ab-Liva, Kendrick Lamar, John Legend, Nas, Stove God Cooks, The-Dream, Voices of Fire, and Pharrell Williams.
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Score distribution:
  1. Positive: 9 out of 11
  2. Negative: 0 out of 11
  1. Jul 10, 2025
    100
    Let God Sort Em Out offers far more than nostalgia: familiar but fresh, it’s one of the albums of the year.
  2. Jul 10, 2025
    91
    Clipse raps about life like the recording process is a religious experience. Let God Sort Em Out is yet another example of the pair’s reverence for the rap game and its possibilities.
  3. Jul 11, 2025
    90
    The album’s potential top-shelf contenders form a tight three-way tie between ‘Mike Tyson Blow to the Face’, ‘Chains & Whips’ with Kendrick Lamar, and ‘F.I.C.O.’ alongside Stove God Cooks. Clever use of a cappella negative space and boom-bap-style drums (‘M.T.B.T.T.F.’), lyrical density (‘Chains & Whips’) and boots-on-the-ground storytelling (‘F.I.C.O.’) make this trilogy stand as not only as some of Clipse’s strongest material, but also as some of Pharrell’s finest production in years.
  4. Jul 9, 2025
    80
    This is an album that underscores several of them [important truths]: Whatever the year, Pusha and Malice are richer than you, smarter than you, and much better at making rap music than you’ll ever be.
  5. The Wire
    Aug 7, 2025
    80
    Let God Sort Em Out, their first LP in 16 years, might be their richest to date. [Sep 2025, p.50]
  6. Jul 15, 2025
    80
    Here, the duo still sounds like the mortal threat they represented in younger days, but integrates refinement, spirituality, and reflection on hard-learned lessons under that lens, communicating from a place of wisdom without losing any of their time-tested fury.
  7. Jul 14, 2025
    50
    The album wears its sterile shine like armor—which, given how rare this level of slickness is for hip-hop albums made by MCs older than the presidential age requirement, might even be admirable—but it doesn’t move forward or backward. It just poses and expects us to applaud.

See all 11 Critic Reviews

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