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- By date
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The WireMore choppy and scattered than its predecessor but equally compelling. [#241, p.61]
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Because of its unexpected instrumentation and fine songwriting, “on mani” is the only track on the album that can be praised as anything more than above average.
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Most of Kila Kila Kila is heavy in all the wrong ways and strangely earthbound.
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UncutYoshimi's ebullience is inescapable on Kila Kila Kila, from the gymnastic drumming to her ecstatic, Bjorkesian yelps. [Apr 2004, p.106]
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Kila Kila Kila contains numerous pristine sounds and rich textures that show subtle moments of ingenuity and progression.
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For those who had grown used to Boredoms' percussion-orgy period -- from Super Ar through to Vision Creation Newsun, with OOIOO's Feather Float in the middle -- such intermittence will give the album a broken feel, making it feel like its indulgences in improvisation and its ad-hoc demeanor are acts lacking discipline.
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This is music that is both lovely to hear and challenging to ascertain at the same time.
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A collection of chaotic - yet charming - avant-pop rooted in Japanese culture both martial and precise, like letting blood in a rock garden.
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A lot of what's contained on this disc reaches for the transcendent and often attains that lofty goal. Even when it doesn't, though, it's still very much worth the listen.
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Alternative PressMoves from intense free jazz to gamelan to Boredoms-like (Ger)manic trance rock to fusionoid Tortoise-style meanderings-as played by psilocybin-gobbling aliens. [Feb 2004, p.93]
User score distribution:
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Positive: 3 out of 3
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Mixed: 0 out of 3
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Negative: 0 out of 3
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nashhDec 29, 2004