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- Summary: The latest full-length release from British electronic producer Squarepusher was originally planned to be played with an orchestra, but an injury and the COVID-19 pandemic led to Tom Jenkinson's recoding it by himself.
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- Record Label: Warp
- Genre(s): Electronic, Avant-Garde, Experimental Electronic
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Score distribution:
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Positive: 5 out of 6
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Mixed: 1 out of 6
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Negative: 0 out of 6
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UncutApr 9, 2026The results are as striking and challenging as you'd expect. [May 2026, p.35]
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Apr 9, 2026Even if it is an acquired taste, Kammerkonzert is still a fascinating release and a remarkable achievement.
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The WireApr 9, 2026"K9 Reliance" indulges in faux harpsichord to conjure a convincing giallo theme, devilishly nervous and hush-hush, with brass swells that underscore the cinematic funk. There are a few odds and ends in the mix, too. "K12 Uplands" is a gorgeous pastoral led by woodwinds, tailor made for some adventure game's soundtrack. On "K13 Vigilant", strings and piano chase each other frantically. "K14 Welbeck" closes the album with a glorious organ dirge, reminiscent of Jenkinson's collaborations with James McVinnie. [May 2026, p.56]
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MojoApr 14, 2026Kammerkonzert's immediacy and dynamism feel more like a concert recording than studio album, powered by the incandescent energy of its creator. [Jun 2026, p.93]
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Apr 13, 2026Kammerkonzert is cemented in the fundamentals of music creation, using orchestral music as its base camp. But of course, Jenkinson wouldn’t let you get away that easy, and as the music builds he washes his wonderful, abstract pigments all over those traditionalist forms – whilst maybe just hacking off a few musical purists along the way.
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Apr 9, 2026Kammerkonzert is ultimately a Squarepusher album sporting a slightly different hat. Still, there are worse things to be subjected to than hearing a master of his craft work through yet another permutation of his signature sound.