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Holy is another reliable blast of Jayne's ostensibly lazy, bread-and-butter indie-rock.
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Who knows if I’ll still be listening to Holy when the leaves turn, but it’ll certainly get some heavy rotation this summer.
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FilterLike Brock and even Andrew Bird, Sam Jayne can slipstream between genres without missing a heartbeat. [Spring 2008, p.96]
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While the middle tracks tend to get lost in the shuffle, fans of Brock's Modest Mouse will be drawn to the horn-inflected swagger of "Bonnie and Clyde" and the stretched-out jam of album highlight "Konny and Jim."
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Jayne’s music is at once disorienting and familiar.
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What made Laughter’s Fifth great and this one better than it might otherwise be is his commitment to just plugging in and playing, which gives the music a spontaneity sorely lacking in much of today’s post-digital landscape.
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Early highlights aside (particularly the bone-rattling 'Paul Revere'), much of the album could be written off as cruise-controlled and that feel definitely resonates.
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The crisp production by onetime Clash engineer Joe Blaney brilliantly showcases Jayne's writing, which has never been more tightly skilled or confidently ambitious.
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Singer-songwriter Sam Jayne has an affection for classic rock and a great sense of whimsy about it.