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- Summary: The latest full-length release from Mike Hadreas as Perfume Genius features a guest appearance by Aldous Harding and a backing band that includes Tim Carr, Meg Duffy, Pat Kelly, Jim Keltner, and Greg Uhlmann.
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- Record Label: Matador
- Genre(s): Pop/Rock, Alternative/Indie Rock
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Score distribution:
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Positive: 16 out of 17
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Mixed: 1 out of 17
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Negative: 0 out of 17
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Mar 25, 2025A glorious album, a record that beguiles and enchants, and one that, in time, you won’t want to stop listening to.
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Mar 27, 2025It’s the shortest Perfume Genius album since Too Bright, but it’s so texturally dense and stylistically ambitious that it should immediately be considered his greatest invention—as it seamlessly updates familiar Perfume Genius concepts with unflinching curiosity, raises the bar of his own excellence and finds beautiful, generous order and renewal in the mess Set My Heart on Fire Immediately left behind.
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Mar 24, 2025The moments of splendor promised by the album’s title aren’t blinding bursts of passion but quiet triumphs of the spirit.
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Mar 27, 2025‘Glory’ stands as testimony to the ongoing creative confidence of Perfume Genius, and the towering intentionality that streams through his work. With nothing left to prove, he’s redoubled his efforts, and added another Everest to his catalogue.
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Apr 7, 2025Glory spotlights Hadreas as he mines this incarnation, its abundant beauty and messiness. He’s left a window to that alt-life open, however, and the winds from that realm gust through these songs.
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Mar 27, 2025With its fresh simplicity, Glory is a blazing return to form for Perfume Genius, who, on his seventh album, has come full circle as a pop star that has never been afraid to emerge as something brand new, familiar, or even as No Shape at all.
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Apr 3, 2025Despite the obvious beauty on display, there’s a thick veil that I just can’t seem to lift in order to fully connect with the work. Try as I might, a good portion of the record seems to roll by its picturesque scenery without causing too much of a stir, with “Capezio” and “Hanging Out” challenging the confidence of my object permanence.