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MojoJun 28, 2016A tad less confrontational than previous Pita releases but no less powerful. [Aug 2016, p.97]
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UncutJun 6, 2016Initially foreboding, its laminar abstractions give way to the stealthy textural seductions of centrepiece "Line Angel," where shards of electronic glass penetrate a wavering organ drift, and the choral minimalism of closer, "MFBK." [Jun 2016, p.78]
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Jun 6, 2016Get In finds Rehberg stretching the Pita sound into more graceful territory, but he hasn't lost his flair for the unexpected that made his work during the '90s and 2000s so visionary.
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Jun 6, 2016Get In was recorded last year, but it sounds like it could have been made at any time over the intervening decade.
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Jun 6, 2016It's more about repetition than surprise, meditation than hyperactivity. Many tracks start slowly and quietly, and some hold entirely to that restraint.