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SelectBravado and roleplay being the essence of rock, problems only arise when the real Everlast, a Grammy-winning crossover artiste, rears his head. [Nov. 2000, p.116]
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With deeply average tunes and deeply average rapping throughout, not even an appearance by Carlos Santana on Babylon Feeling can turn things around.
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Everlast's pretensions and ambition still outstrip his talent, however, and the distance between the two makes Eat At Whitey's both intriguing and frustrating.... like a defensive tackle trying his hand at ballet, he's far too clumsy and limited a singer and songwriter for the delicate material he attempts.
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Though Black Jesus and Graves To Dig weld slow-burning hip-hop beats to politically astute lyrics, elsewhere the abundance of self-conscious singing and menopausal guitar noodling sees the album shuffle, uninterestingly, towards the middle of the road.
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Alternative PressEverlast hints at a hip-hop amalgam of Johnny Cash and Howlin' Wolf, but only when being chased. [Jan 2001, p.88]
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The rapper's nicotine-scarred voice does sound bluesy, and his raps are serious without being arch like Beck's. The album's sound -- a marriage of classical string arrangements and sparse drum beats -- makes the guitar stomp of his rap-rock peers seem more one-dimensional than ever. But Everlast's blues are one-shaded -- nothing on Eat at Whitey's approaches the grim fatalism of the Geto Boys' "Mind Playin' Tricks on Me," Eminem's "Rock Bottom," or even Snoop Doggy Dogg's "Murder Was the Case."
Awards & Rankings
User score distribution:
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Positive: 31 out of 37
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Mixed: 1 out of 37
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Negative: 5 out of 37
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MarkSMar 9, 2004you just fall in love with the vibe of this cd
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stefyoMay 9, 2003
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AndrewCDec 13, 2002this is one of the best albums that i have ever heard. can't wait for a new one.