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Positive: 3 out of 3
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Negative: 0 out of 3
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Oct 31, 2021
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The WireDec 20, 2021A polished affair which approaches doom metal with something like a pop sensibility – the melodies bring to mind Deftones or the accessible end of UK bands like Paradise Lost and My Dying Bride, though Esfandiari’s strain of gothic gloom, for all its theatricality, feels less superficial and more the product of genuine internal turmoil. [Nov 2021, p.62]
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Aug 4, 2021Kris Esfandiari and her team have created something truly special with this album, a musical piece where the divine is given voice and flesh to envision what is Kris' most honest and enrapturing work of her prolific career, and be sure it won't be the last one.
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Aug 4, 2021King Woman perfects the approaches outlined on Suffering here, constructing soundscapes that are gossamer and pummeling, sparse and layered, heavenly and apocalyptic.